You know, this technology that we have, and the Internet and Twitter and Facebook - I get so many of those emails that talk about hard times that kids have gone through, how books have helped them, but also happy times.
Some people do want to stand on the rooftop and scream out their story. Others are cowering in the corner, or sitting with a blank face in class, and not knowing how to tell their story.
And books are such an empowering way to give voice to some of these kids who aren't yet ready to tell their story. Or don't know what their story is, or are trying to figure it out.
And you're figuring out who you are, and you haven't yet become stagnant in your thinking. You haven't solidified. And one thing that I find is that a lot of grown-ups tend to look back on their high school or middle school years and say, "Oh, thank God all that's over."
And they just slam the door. And they don't peek into that land any more. And they forget that teens and tweens are people, absolutely just as much as adults are. And their problems may play out on a smaller scale, but the things they go through are equally as valid as a CEO trying to figure out how to deal with a crisis at work. I just write for teens because I love 'em.
Also, as an author, character has always been what I'm most interested in - much more so than plot or setting, although those are good things too.
Other people have suggested that I write about teens because I'm perpetually stuck in that stage of my own development. That could very well be true. I would throw out that teens and tweens are just absolutely fabulous and the most interesting people on the planet. And it is a time of high drama, and everything matters.
I did a lot of research on a couple different things. One was, how do people handle hating themselves and hating others? And hatred is a secondary emotion, I think; it always springs from something else ... usually fear, that's probably what it is. So I looked a lot at that.
I think that ties in with issues of identity as well - that sometimes there are parts of us we want to hide, and then there's other times we say, "You know what? Nope. Done hiding that part."
I'm a southern girl, and I grew up with this slightly schizophrenic upbringing where I bounced back and forth between Atlanta, Georgia, and a tiny mountain town called Brevard, North Carolina. My parents were divorced, and my two lives were very different because of socioeconomic reasons.
I've written a lot of novels for teens and tweens ... but I'd never really tackled the North Carolina side of me. And it's so strong and so important, and yet I hadn't acknowledged it. And so one of the things I wanted to do in "Shine" is take that on.
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