I stay in France. Better to be the queen of a village than a servant in a kingdom.
I am a voyager - and the voyage cannot mean that I stay at home.
I had my mouth done when I was 27. It was a botched job. Obviously, if I had liked my mouth I wouldn't have had it re-done.
Often, when you see yourself on the screen, you feel like a sweater that's been put through the washing machine. You have the impression of having done something full and luminous, and suddenly, when you see it on the screen, it's turned back into a tiny little thing.
I feel better in my body now than when I was 20. Why not?
You may think of me as an object of desire and I'm going to tell you that I can be in front of you naked and not be erotic.
There are moments when you feel that the desire to work is fading, and the only way to bring it back is to get away from it, to put yourself in a state of frustration so you feel the need again.
I give everything I have to give on the screen. I feel I don't owe the public anything else.
After 10 years of French torture - psychological torture - it's great to do an American movie.
I dream about singing. I would love to sing and write.
If a man or woman has something redone it is because he or she can no longer live with that part of their body, it is no longer bearable. Either they get help and find the strength to fight or they proceed with the act.
I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.
I think my best work has been in France with great men. It's been my great fortune to work with really great men - with Olivier Assayas, Raoul Ruiz, Jacques Rivette. I am tutored by them.
I keep reading that I'm cold. But I'm not, I'm shy. And I play a lot of women of fire and sexuality like an animal - so I'm cold on one side and fiery on the other.
If I have one thing perfect, it's my eyebrows. And my feet. I love my feet. They're like Japanese feet. The rest I would like to hide. Especially my freckles. I feel ridiculous.
In Hollywood there's no real material. They would send me stuff, but I hadn't even seen the director. If I don't see the director's eyes, I'm not going. I'm not even going to pack my bags.
My looks haven't prevented me from playing prostitutes or people broken by life. But when they need a token blonde with big breasts, that's OK, too. It's part of the game.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
My parents sent me to Montreal because I kept getting kicked out of school in France.
Of course I am political. You 'ave to be don't you? Every day it is about your future, your right to that future. 'Ow can people ignore this? We 'ave to leave a good world for our children, n'est-ce pas?
When you are happy and in love and when you have children, then maybe you are beautiful.
Once I opened my eyes to the realities of life, I couldn't close them.
When I'm playing a part, I can feel all my body playing it; it's like really making love.
Sometimes you feel more naked when you're totally dressed than the other way around.
The body is an actor's tool, like the face, malleable. I never thought that being naked was immoral or outrageous.
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