I stay in France. Better to be the queen of a village than a servant in a kingdom.
I am a voyager - and the voyage cannot mean that I stay at home.
Beauty is not something you can count on. Usually, when people say you are beautiful, it is when there is a harmony between the inside and the outside.
I don't give a damn about Hollywood.
I had my mouth done when I was 27. It was a botched job. Obviously, if I had liked my mouth I wouldn't have had it re-done.
I started acting without any vocation. I continued out of love.
The body, in 'La Belle Noiseuse,' was the source of the artist's creativity.
Often, when you see yourself on the screen, you feel like a sweater that's been put through the washing machine. You have the impression of having done something full and luminous, and suddenly, when you see it on the screen, it's turned back into a tiny little thing.
I feel better in my body now than when I was 20. Why not?
Of course I am political. You 'ave to be don't you? Every day it is about your future, your right to that future. 'Ow can people ignore this? We 'ave to leave a good world for our children, n'est-ce pas?
You may think of me as an object of desire and I'm going to tell you that I can be in front of you naked and not be erotic.
There are moments when you feel that the desire to work is fading, and the only way to bring it back is to get away from it, to put yourself in a state of frustration so you feel the need again.
The body is an actor's tool, like the face, malleable. I never thought that being naked was immoral or outrageous.
I just decided that I would not put my professional life on hold to raise children. I know that sounds selfish to a lot of people and I don't know if what I'm doing is the right thing. But that's the way I'm doing it.
When I'm playing a part, I can feel all my body playing it; it's like really making love.
I keep reading that I'm cold. But I'm not, I'm shy. And I play a lot of women of fire and sexuality like an animal - so I'm cold on one side and fiery on the other.
I think my best work has been in France with great men. It's been my great fortune to work with really great men - with Olivier Assayas, Raoul Ruiz, Jacques Rivette. I am tutored by them.
I was a very bad student. I didn't know what I wanted to do, but I knew I didn't want to go farther in school. I hated school and was always the bad one; I was always insulting the teachers.
I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.
If a man or woman has something redone it is because he or she can no longer live with that part of their body, it is no longer bearable. Either they get help and find the strength to fight or they proceed with the act.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
Today I would say, 'I am against plastic surgery.' It's a grave act. An act that touches our soul. It was frightening.
If I have one thing perfect, it's my eyebrows. And my feet. I love my feet. They're like Japanese feet. The rest I would like to hide. Especially my freckles. I feel ridiculous.
There is a phrase in French, which means 'to miss.' To pass by. To not be able to stop. You love someone and someone loves you, but it just can't work for different reasons.
The press follow me. I sue them. That's the deal.
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