I'm kind of like, "never say never."
I definitely think religion is responsible for a lot of the evils of the world. I mean that's not really in debate. But at the same time, I think whatever gets you through the day, whatever helps you make sense of life I'm not gonna begrudge my grandmother with her rosary beads. It works for them. And at the end of the day, I don't claim to know the answer to anything.
I don't hold anything against Barack Obama. I just think the system is so corrupt, it doesn't matter how well-intentioned someone is, as I believe he was and is. At the end of the day, I think it just comes down to money. This is all about class warfare. All of our political problems.
I mean, you just go down the line, and with any of these issues, it's about rich people staying rich. And using poverty as a weapon against people. That's what we see every day. And I'm not an economist, so I can't speak to the nuances of it, but just common sense tells me the whole thing is corrupt.
I would say I'm a humanist. I like that. I mean, I don't claim to know anything, but I'm curious about it all. I'm always fascinated when people really fervently believe, because I have such a hard time believing anything.
When people have real faith in something, it's fascinating to me. And the fact that so many people, in surveys, so many people say they do. It kind of blows my mind.
I liked the idea of having a record that's reggae-influenced but not musically, just lyrically. I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together. Which I suppose is at the root of most any religion. You're gonna find it, if taken in the right context.
A lot of the mythology that sprung up around Haile Selassie, it's not like something he asked for, having people deify him. That's pretty heavy. I don't know what you do in that situation.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
I don't see any harm in letting whatever comes out come out of you, even if it's sort of weird, or dark, or painful, or too embarrassing, or whatever. I feel like you might as well get it down for yourself. It can't do anything but help you get to where you want to be by recognizing the thoughts that you're having.
I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?"
I love story songs. It's just, for me, they're harder to write, and sometimes they sound too intended or something.
I'm ripe for the picking for the Scientologists - one of those creeps. Someone's got to find me. Some little weird cult can just pluck me up, because I'm ripe for the picking.
I think that obviously the quest for purpose, or meaning, or understanding to existence is something that I always think about, always deal with. I guess everybody does - that existential crisis of human condition. It's nothing new. But I'd love to come across something that really made me believe in something.
Some days I feel like I'm an atheist. Most days, I feel like an agnostic. On a very rare day, I feel like I'm a believer in something.
Music becomes very personal. When you marry a message you want to send out into the world with good music, all of a sudden you have a very potent way of delivering your message.
A kid that picks up a record, he doesn't need to know anything other than the music and have it in his or her headphones. They're getting ideas directly, it's like someone whispering in their ear. That's such a personal way to receive information.
I think different musical collaborators bring out different qualities in my songs and I like that.
Much of appreciating art or music is really the interpretation of the listener. To a certain extent it's projection - it's what people need or lack in themselves that they then put upon these people that they admire.
Rastafarianism and reggae music have always kind of resonated with me. Those ideas of redemption, liberation and overcoming oppression through music, weed and community. Fighting evil through love and music, I think it's just a really powerful idea.
I do think that music has a special ability to get behind enemy lines and win hearts and minds.
It's hard to get people to focus on one idea.
Our band is different in the sense that we all are involved with a lot of different projects. It's hard to say when we'll record again, but we're not calling it quits right away.
I understand why people get desensitized and roll their eyes when they hear a protest song, or even a politician making some flowery speech. It doesn't really change anything.
I believe that vinyl will outlast CDs. There's no reason for it, but it stays around because there are still people that want them.
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