I got beef with commercial-ass niggas with gold teeth Lampin' in a Lexus eatin' beef.
It's for real though, let's connect, politic...ditto! We could trade places, get lifted in the staircases, Word up, peace, incarcerated scarfaces.
You know the steez; you know my whole program. Brothers from the No-Lands, all we want is the G's guns and grams.
I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes.
When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
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