Euripides seems to have felt that the dignified perfection of Sophocles could be challenged only by novelty and irresponsibility. The religious conditions of the Dionysian festival kept him within certain bounds. But within the imposed limits Euripides was as profane as he dared to be, making melodrama of the divine realities which his predecessors accepted religiously, using the stage merely as a convenience for popularizing his own eccentric values.
Evil I had never found satisfactorily placeable as an integral element of the universal, or total, content of existence. Indeed, evil is evil just because there is no logical place for it, no room in reality for it. It is unreal, and yet real as something unreal.
How our story has been divided up among the truth-telling professions! Religion, philosophy, history, poetry, compete with each other for our ears; and science competes with all together. And for each we have a different set of ears. But, though we hear much, what we are told is as nothing: none of it gives us ourselves, rather each story-kind steals us to make its reality of us.
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