I actually think sadness and darkness can be very beautiful and healing.
It's inevitable your environment will influence what you do
But I can't really say there is too much modern music that I'm blown away by at this moment
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me
I mean, at the end of the day when I'm making a record, what I want to do is what I do
My second record was all about big ideas - I was trying to make big statements about the culture, about life. I think in a certain way, I was a 27 year old kid with a guitar
I did a song, "Court and Spark," for a Joni Mitchell tribute album that's yet to see the light of day. So she's someone I'd like to do something with, sure. I worked with the great guitar player Bill Frisell on Phantom Moon - that was fun. I'm such a fan; he's amazing.
If I were to do this over I'd play a lot more shows before I made a record
I try to make sure that the Buddhism is more or less implicit in the music rather than explicit
Things come to me pretty regularly. There is never a shortage or a backlog
Ultimately, if I'm really moved by something, it's going to go on the record and that's that
I make the kind of music I like
I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record
I think in a way I was probably completely naive about what it takes to make something become a hit
I feel fortunate about being able to make the music I want to make and getting away with it
Happy music doesn't tend to move me much
I certainly wouldn't say that my life is a disaster, but there have been moments where I've felt like that
I privilege the music over the lyrics
I wouldn't say that I've had a tough life by any stretch of the imagination.
For my second record I had gotten ProTools and started to familiar myself with hard disc recording.
I also wanted to make a record that was about other things than romance, yeah, after two years on the road singing all the songs from the first album, I got kind of tired of that.
And frankly, when I made that record, hit songs were not what I was trying to achieve.
So I started chanting when I was nineteen, which was about twelve years ago, and it really had a huge impact on my outlook, happiness, and general creativity.
When I was a teenager, I got into four track recorders, drum machines, and synthesizers, and I started producing instrumental music.
But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want your listener to hear.
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