To see is to forget the name of the thing one sees.
The mere notion of photography, when we introduce it into our meditation on the genesis of historical knowledge and its true value, suggests the simple question: Could such and such a fact, as it is narrated here, have been photographed?
From the moment that photography appeared, the descriptive genre began to invade Letters... In verse as in prose the décor and exterior aspects of life took an almost excessive place.
Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly.
Photography invites one to give up any attempt to delineate such things as can delineate themselves.
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