I don't necessarily want to talk about a book that I read. Even when I love it.
[With "Summer Sisters" the publisher] sent me on a big book tour. And it was the most wonderful professional experience of my life. I mean it was like Kleenex on every table wherever I was, friends patting friends on the back and they'd cry and I'd cry.
Isn't that interesting. All the book clubs. I've never belonged to one.
It was a such a surprise, such an absolute shocking surprise to me to not know what you're doing and to find out that this thing that you don't even know how to do, that you're sure you don't know how to do, speaks to so many people and touches so many people in some way.
The parent reads the book. The kid reads the book and then they can talk about the characters instead of talking about themselves. You know there's a connection even if you don't talk about it when you read the same books.
I've never really thought in terms of taboos. I think that books can really help parents and kids talk together about difficult subjects. I've always felt that way.
I do believe that people who write for children are deeply connected to their own childhood.
Heavy petting, that was fun! That was good. And frankly, you know I wish kids would go back to it. It's very satisfying. And it's not as scary. So many girls, you know this. I mean they are having what we call sex. Right? They're having intercourse. They don't want to, they don't get anything out of it.
I was Little Miss Perfect. That's where all the secrets come in, because you know damn well you are not perfect, but you think your parents want you to be. And so you pretend.
I think we made out [sexuality changing]. I think that's really great, and we didn't jump into intercourse. And there were no blow jobs.
We weren't doing blow jobs when I was growing up.
It's so amazing. I mean talk about sexuality changing.
My mother never talked about sex. I was on the Dr. Ruth [ Westheimer] show once - this is years and years and years ago - and it was her Mother's Day show. And I didn't know what we were going to talk about but what she decided we were going to talk about was female masturbation. My mother had invited all her girlfriends. And you know these were all women in their late seventy's maybe they were in their eighty's by then and then and they were horrified because Dr Ruth had a little she had a little chart up you know "female masturbation".
I thought ["Summer Sisters" ] would be a children's book - two girls who summer together from very different backgrounds. And then when it just kept going and going and going. They kept getting older.
My mother was a cracker jack typist. And she would come in and sit at my house and type the final type script before I would then send it to the publisher. And it was nice for us.
"Summer Sisters" is probably my least autobiographical book. The whole idea started with rowing down the pond. And I heard an explosion. I don't like sudden loud noises. They scare me. And then all these people came running down the hill and jumped in the water in their finery and a bride and groom was with them, and that's where it all started.
"Summer Sisters" was actually was a huge influence on "Girls" because it was the first thing I ever consumed that sort of looked at the way that female friendship can be glorious and can be complicated and can be so like a worse betrayal than something romantic and it just showed these archetypes of femininity than totally sort of individuated them and exploded them.
When I was twelve. And I was going through my parents' bookshelves, I found the most wonderful books and plenty of. Within those wonderful books that were real turn-on's. At 12 or 13, books were such turn-ons.
Kids should read whatever they want to read. So I'm hoping that just like 15-year-olds read "Summer Sisters," I'm hoping that they'll read this.
Do not tell me what to do and do not tell me what I can't do.
When [books ban] happened, I felt completely alone and that was scary and sad.
I thought [books ban] was crazy. Really my thoughts were "This is America, we don't do this here" but of course I know a lot better now. And I wasn't the only one. Norma Klein was writing at the same time. Her books were going. So many of us. When you say to me, no you can't do this I say, oh yes I can.
If all you leave in the library is books that you think speak to everyone, what are you going to have? You'd have nothing.
It didn't happen in the 70s. So I had a whole decade when I was writing these books and maybe there was a little bit here or there but there was no big effort to ban books.
There's no book or play or series or anything that speaks to everyone, because then it wouldn't speak to anyone.
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