I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.
So, I certainly subscribe to what Bette said about acting being very hard work.
I thought my nose was too prominent so I had this corrected via plastic surgery in 1959.
For many years my inherited arthritis had given me problems.
I had to do a tango with Raft and I learned to dance in ballet shoes with my knees bent.
But painting can be too lonely... I like being with people too much to have ever made that my life's work.
In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.
The scene where I took my eyelashes off we did in two takes.
My forehead is sometimes too high, but bangs could correct this.
About that time, stronger features became fashionable on the screen.
Elisha Cook was a darling, and full of the devil. A wired - up little fellow who was always busy, busy, busy.
Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.
I'm 5 foot 9, and there were two stars in my life who didn't mind that I was taller than they - George Raft and John Garfield
I knew I had a great figure, but I never regarded myself as beautiful.
I got to know Sterling Hayden fairly well. He was a quiet man, who got more complicated as the years went on.
The way animals were and are abused appalls me to this very day.
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