I believe that all my work explores the human desire or obsession for utopias, and the structure of all my works is the search for utopias lost and rediscovered.
If you understand hallucination and illusion, you don't blindly follow any leader. You must know if the person is sane or insane, over the abyss.
A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.
Every heart is the other heart. Every soul is the other soul. Every face is the other face. The individual is the one illusion.
If there is no certain reality, the idea of following a leader must be scrutinized.
Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.
I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.
I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.
I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.
Dreiser... I love... and almost wouldn't speak to anyone who ever attacked him.
I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.
There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names but there have been men who have seemed to want to destroy me or my writing, men I don't even know.
A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.
At the age of 18 all young poets are sure they will be dead at 21 - of old age.
I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.
we live our fate before we realize exactly what it is.
I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.
If you don't have obsessions, don't write. my characters are obsessed.
Life has no beginning, middle or end.
When you have examined all the illusions of life and know that there isn't any reality, but you nevertheless go on, then you are a mature human being. You accept the idea that it is all mask and illusion and that people are in disguise. You see the crumbl
All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.
Don't blindly follow any leader.
Twice in his life Eugene Victor Debs took the long leap to the Ultima Thule of prison, passing beyond the realm of the acceptable into the nonacceptable, from respectability into the criminal community of the monster who was an enemy to the people.
The first money I ever had was when I received an award from the American Association of University Women.
I think most people dont like others who, without a voice of their own, emulate the other. I certainly dont want anybody just to pick up my thoughts and hand them back to me.
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