Gaston Leroux Quotes - Page 2

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• And, despite the care which she took to look behind her at every moment, she failed to see a shadow which followed her like her own shadow, which stopped when she stopped, which started again when she did and which made no more noise than a well-conducted shadow should.

  Gaston Leroux

  Shadow, Looks, Care

  Gaston Leroux (2016). “The Phantom of the Opera & The Mystery of the Yellow Room (Mystery Classics): The Ultimate Gothic Romance Mystery and One of the First Locked-Room Crime Mysteries”, p.87, e-artnow

  6 Copy quote

• When a woman has seen me, as you have, she belongs to me. She loves me forever.

  Gaston Leroux

  Forever, Phantoms, Love Me Forever

  Gaston Leroux (2016). “THE PHANTOM OF THE OPERA (Mystery & Horror Series): Gothic Classic Based on True Events at the Paris Opera”, p.97, e-artnow

  8 Copy quote

• But do you love me? If Erik were good-looking, would you love me, Christine?

  Gaston Leroux

  Do You Love Me, Looking Good, Christine

  Gaston Leroux (2015). “The Phantom of the Opera: Horror and Romance”, p.107, 谷月社

  8 Copy quote

• He had a heart that could have held the entire empire of the world; and, in the end, he had to content himself with a cellar.

  Gaston Leroux

  Heart, World, Empires

  Gaston Leroux (2016). “GOTHIC CRIME MYSTERIES – Premium Collection: The Phantom of the Opera, The Mystery of the Yellow Room, The Secret of the Night, The Man with the Black Feather & Balaoo: Thriller Classics”, p.947, e-artnow

  5 Copy quote

• The opera ghost really existed

  Gaston Leroux

  Opera, Ghost

  Gaston Leroux (2014). “The Phantom of the Opera By Gaston Leroux”, BookRix

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• The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge. Yes, he existed in flesh and blood, although he assumed the complete appearance of a real phantom; that is to say, of a spectral shade.

  Gaston Leroux

  Mother, Real, Artist

  Gaston Leroux (2016). “THE PHANTOM OF THE OPERA (Mystery & Horror Series): Gothic Classic Based on True Events at the Paris Opera”, p.4, e-artnow

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• They played at hearts as other children might play at ball; only, as it was really their two hearts that they flung to and fro, they had to be very, very handy to catch them, each time, without hurting them.

  Gaston Leroux

  Hurt, Children, Heart

  Gaston Leroux (2015). “The Phantom of the Opera: Horror and Romance”, p.87, 谷月社

  7 Copy quote

• Persons visited by the angel quiver with a thrill unknown to the rest of mankind

  Gaston Leroux

  Angel, Thrill, Quiver

  Gaston Leroux (2016). “THE PHANTOM OF THE OPERA (Mystery & Horror Series): Gothic Classic Based on True Events at the Paris Opera”, p.42, e-artnow

  4 Copy quote

• Hullo… the wall is a looking-glass!

  Gaston Leroux

  Wall, Glasses

  5 Copy quote

• Look!You want to see? See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like? Oh, you women are so inquisitive! Well, are you satisfied? I'm a good-looking fellow, eh?...When a woman has seen me, as you have, she belongs to me.She loves me forever! I am a kind of Don Juan, you know!...Look at me! I am Don Juan Triumphant! -Erik in The Phantom of the Opera

  Gaston Leroux

  Eye, Voice, Forever

  7 Copy quote

• Sometimes, the Angel [of Music] leans over the cradle... and that is how there are little prodigies who play the fiddle at six better than men of fifty, which, you must admit is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And sometimes, he does not come at all, because the children have a wicked heart or a bad conscience.

  Gaston Leroux

  Children, Angel, Heart

  5 Copy quote

• The shadow had followed behind them, clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky.

  Gaston Leroux

  Children, Heart, Sky

  Gaston Leroux (2015). “The Phantom of the Opera: Horror and Romance”, p.93, 谷月社

  4 Copy quote

• Everybody knows that orthopaedic science provides beautiful false noses for those who have lost their noses naturally or as the result of an operation.

  Gaston Leroux

  Beautiful, People, Noses

  "The Phantom of the Opera & The Mystery of the Yellow Room".

  20 Copy quote

• Holy angel, in Heaven blessed, My spirit longs with thee to rest

  Gaston Leroux

  Blessed, Angel, Heaven

  Gaston Leroux (2014). “The Phantom of the Opera”, p.144, Trajectory Classics

  6 Copy quote

• Little Lotte thought of everything and nothing. Her hair was as golden as the sun's rays, and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her red shoes and her fiddle, but loved most of all, when she went to sleep, to hear the Angel of Music.

  Gaston Leroux

  Mother, Sleep, Eye

  Gaston Leroux (2016). “The Phantom of the Opera & The Mystery of the Yellow Room (Mystery Classics): The Ultimate Gothic Romance Mystery and One of the First Locked-Room Crime Mysteries”, p.42, e-artnow

  5 Copy quote

• She's singing to-night to bring the chandelier down!

  Gaston Leroux

  Night, Singing, Chandeliers

  73 Copy quote

• Tonight I gave you my soul, and I am dead." - Christine, from Gaston Leroux's: The Phantom of the Opera.

  Gaston Leroux

  Soul, Tonight, Gaston

  4 Copy quote

• ...the girl with the tip-tilted nose, the forget-me-not eyes, the rose red cheeks and the lily-white neck and shoulders who gave the explanation in a trembling voice: “It’s the ghost!

  Gaston Leroux

  Girl, Eye, Voice

  Gaston Leroux (2016). “The Phantom of the Opera & The Mystery of the Yellow Room (Mystery Classics): The Ultimate Gothic Romance Mystery and One of the First Locked-Room Crime Mysteries”, p.10, e-artnow

  5 Copy quote

• I am an honest girl, M. le Vicomte de Chagny, and I don't lock myself up in my dressing-room with men's voices.

  Gaston Leroux

  Girl, Men, Voice

  Gaston Leroux (2016). “THE PHANTOM OF THE OPERA (Mystery & Horror Series): Gothic Classic Based on True Events at the Paris Opera”, p.46, e-artnow

  4 Copy quote

• We recognize the touch of the Opera ghost.

  Gaston Leroux

  Opera, Ghost

  Gaston Leroux (2016). “GOTHIC CRIME MYSTERIES – Premium Collection: The Phantom of the Opera, The Mystery of the Yellow Room, The Secret of the Night, The Man with the Black Feather & Balaoo: Thriller Classics”, p.941, e-artnow

  4 Copy quote

• Erik ! Erik! I saved your life! Remember!You were sentenced to death! But for me, you would be dead now!

  Gaston Leroux

  Remember You, Remembers You, Would Be

  "The Phantom of the Opera By Gaston Leroux".

  4 Copy quote

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