To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.
Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.
Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should?
The photograph itself doesn't interest me. I want only to capture a minute part of reality.
Rene Char wrote somewhere, apropos poetry, that there are those who create and those who discover; they are too completely different worlds. Photograph also has two sides to it and thank goodness, I am only intersted in those who discover; I feel a certain solidarity with those who set out in a spirit of discovery; I think there is much more risk invovled in this than in trying to create images; and in the end, reality is more important.
Everyone has got some preconceptions, but you have to readjust them in front of reality. Reality has the last word.
I'm always amused by the idea that certain people have about technique, which translate into an immoderate taste for the sharpness of the image. It is a passion for detail, for perfection, or do they hope to get closer to reality with this trompe I'oeil? They are, by the way, as far away from the real issues as other generations of photographers were when they obscured their subject in soft-focus effects.
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