I always try to make the soundtrack a good CD on its own.
Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
When I was working on the music for this I didn't want to just use pop songs as the score - most movies do it and I've done it before.
I feel like the internet has encouraged people to look into things and try to find issuesthat because people have a lot of opinions. I think it's really important to encourage artistic freedom. I think if you inhibit that, that could be dangerous.
My parents were always encouraging of us being creative however we wanted to be. People say, "You didn't get pressured into having to be a director?" But it's hard to be around my dad and not be curious about filmmaking, because he thinks it's the ultimate medium.
I love that feeling of when it's touching and it makes you happy but there's a melancholy or bittersweet glaze to it.
I really wanted to emphasize the idea of the women being isolated and abandoned . . . and they weren't raised to take care of themselves, so they had to learn to survive.
I always remember my dad saying, "No one makes a remake unless they are trying to make money; there is no reason for it." It was not an honorable thing to do.
Making films is like making stuff together as kids.
I try to always be open to what the actors want to try. I don't storyboard and try to be intuitive and open on the day of filming.
When you're making a film you're thinking about how to tell the story visually.
I think being mediocre and in the middle would be the worst. It's more interesting to get strong reactions, and to have the mixture of people who get it and the people who don't get it. And to invite a dialogue.
I like telling the story in a visual way. I don't like explaining a lot in dialogue.
I think anything you do that's different, that doesn't take the typical approach, invites differing opinions.
I like amateur things.
There's something about being a teenager that's so sincere. Everything is more epic, like your first crush. I feel that it's not always portrayed very accurately.
It bugs me when they have people my age [28] playing teenagers.
I just remember seventh grade as being really difficult, because there's nothing meaner than a girl at that age. You gang up on people, and it's traumatic. It wasn't so bad for me, but there's a woman I know who's still traumatized by junior high. At that age, everything seems like a huge deal, but of course that changes when you get older.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
Having a kid, it makes you slow down; when you're walking with a toddler to pick up a leaf it can take a half hour. You've never spent that time looking at a leaf before, having that kind of interaction. So I think it does make you change the way you look things.
I like to write things to be personal, so I just put what I'm thinking about at the time.
I like doing personal films, after doing a bigger movie, I enjoy doing smaller, intimate films.
I've always written my own scripts, I really like doing everything from the beginning and taking it all the way through, I've probably learned that from my dad.
I always like to keep the budget as small as possible just to have the most freedom.
I learned that from my dad: you put your heart into something, you have to protect it, what you're making.
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