I used to sing songs from musicals all the time as a kid.
I feel like my songs are like diary entries for me. So I usually write about things that have happened to me specifically or sometimes it can be someone who's close to me.
Nobody ever thinks a song is about them. Well, not when it's mean. When it's a good song everybody thinks it's about them. And when it's mean, nobody thinks it's about them.
I think it was the perfect gestation time for this particular piece [ Sounds Like Me: My Life (So Far) in Song]. One of the songs that I considered talking about was "Manhattan," because it was chronicling the end of a long relationship that was part of the reason why I moved from Los Angeles to New York, which was such a life-changing decision. I don't regret that it's not in there, but that's one that I considered diving into, and I have little piecemeal snippets of writing about that floating around
I'd like to think I could physically manage doing that, but I don't think it feels authentic to the kind of performer that I am. I think that, for me, being stationary and just sort of singing the songs seems to be the most connected and authentic expression for me on stage.
I don't like karaoke very much. I like being around it, but I don't like singing it. If I had to sing a karaoke song, it's usually "Son of a Preacher Man" by Dusty Springfield.
I'm somebody who grew up listening to a lot of musical theater, so getting to finally write musical theater songs and songs that sound that way - the emphasis being on the storytelling, but the arrangements and the orchestrations can be really varied - I found that to be, actually, a really joyful discovery.
I think I have some anger-management issues, and they end up coming out in these passive-aggressive songs that sound happy.
I like seeing someone that can sing jazz and then flip over and sing a pop song and then sing a rock song.
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