The world is made of stairs, and there are those who go up and those who go down.
I know that all cops are not sterling characters. But you have to have someone to root for. I balance it with rotten cops who will take a bribe, who will beat somebody up.
Readers are what it's all about, aren't they? If not, why am I writing?
Changing writing styles is like an actor taking on a different part.
Its a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.
It seemed to me... that the only valid people to deal with crime were cops, and I would like to make the lead character, rather than a single person, a squad of cops.
I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.
I've never been a cop nor hope to be a cop, thanks.
I would certainly never suggest that any lesbian should be ashamed of her sexual preference.
I wanted to be an artist. I was studying art. I wanted to be a great painter. When I went into the Navy, there wasn't much to draw at sea. So I began writing, and I began reading a lot.
I try to keep all my novels in print. Sometimes publishers don't agree with me as to their worth.
I enjoy what I do every minute of the day, even when the going gets tough. When I first began writing, I used to work at a desk in the bedroom, of a small development house. My three sons all under the age of 3 would come running in and out of the room every minute.
I never take ideas from the headlines. I feel that if a story is good enough, a real story that is, then it's already been covered by the media, and if it's not good enough, why would I want to bother with it?
I have a book coming out in September, for example, where the plot concerns counterfeiting, and I had to do a lot of research on that. Or on any legal matters, for example, I have to do a lot of research online.
Depending on what I'm working on, I come to the writing desk with entirely different mindsets. When I change form one to the other, it's as if another writer is on the scene.
I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.
A detective sees death in all the various forms at least five times a week.
McKinty is an exciting new talent.
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