People were like, "Someone who made a song like this, there has to be more to them. I'm interested in hearing how they would describe something else." So my flow has matured, my voice has matured, the content has gotten more descriptive but at the same time we still talk about a violent reality that exists in the world which is why this is a supplement to the Revolutionary series and it's not a part of it but it's the same Immortal Technique.
We're rhyming; we're carrying the banner representing hardcore hip-hop to the death.
A lot of individuals I've met that I've done a song or two with. But to be honest I'm not incredibly familiar with the scene. I mean, I'm more familiar with people coming from other countries like Latin-American MCs and African rappers... that type of stuff I'm really starting to get a hold on.
I met some brothers out from Canada recently who are real cool people. They make Spanish-language music called Cold Blue and I met then at a Lat-Rap conference and they seem like real good peoples from Central America... and that's what it is. It's just based on mutual respect. So when I meet people like that I'm like, "if y'all going to be real with me, I'm going to be real with y'all" and that's all it takes.
I have a strong army I keep with me and we don't go out there looking for problems. A lot of people have this perception... but I don't have a superiority complex about me because I'm from New York or because I'm Peruvian/Black. I think some people get caught up in that stuff.
I think that some people from other regions expect us to be like that so I think they overcompensate for that sometimes and they're victims to their own insecurity.
I'm a business man and I'm a grown man. I spend a lot of time thinking about how to restructure my life, support my family with this music... I don't have time to deal with the repercussions of breaking somebody's jaw or breaking their nose.
I've had some confrontations after I got out of prison and I'm proud of the fact that I dealt with them differently.
Plastic metaphors and carbon copy similes that aren't going to do anything for anybody and it doesn't showcase creativity; it showcases the fact that the soul of the music has been compromised to control the industry.
I wasn't always a revolutionary, I used to live life like a criminal even though I was going through high school or college, or the fact that I was smart, had no bearing on that. People can have intelligence all the way but have no direction. Not all criminals are idiots.
I have favourite songs for different things. The diversity of it is the strength.
People always have these debates about who their favourite rapper is. And I think it's based upon what mood that particular person is in. If someone's favourite rapper is a lyricist then they're focused on rhymes or substance. If someone's favourite rapper is a party rapper, you know, someone who makes music about the clubs... "Oh, he's my favourite rapper". No, his subject matter is your favourite.
I work with Kick G.A.M.E., the grassroots artist movement. Not to tell people we have the best union plan in the world, but to show people that if some activists, if some revolutionaries, if some street organizers from the hood can come together and put together a preliminary program to give health care to independent artists.
There is no excuse for a billion dollar industry to have somebody who's pushing papers on an administrative level - which is still very important in terms of getting projects done - it's imbalanced and completely illogical and example of how badly this art form has been rapped... for them niggas to have health care benefits but for themselves to share in no part to that? It's very telling about the climate of the music industry.
I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.
Pharoahe Monch is a long time supporter of my music and I'm a long time supporter of his music so when we met each other it was almost like a natural occurrence.I met him before a few years earlier and we were just politicking with each other and we had a conversation about possibly doing something but our schedules have always been in conflict.
I spend a lot of time out there. I've got a lot of family that lives in Inglewood and surrounding areas. So I'm right in the hood, every time I go there I go see my peoples. I rep real hard for the people that I see that are the counterparts of what I'm trying to do out here, out there.
We're more Christian than the Pope. And, I mean, that's not our religion. We pray to the Gods of our conquerors... all black and brown people.
I think that when you look at history and when you look at these facts that shape nations and shape countries and give us present examples of how we're supposed to live, we find more and more often that we're not paying attention to what's actually happening.
That as much as we're afraid of New World Order coming and of Canada and America joining together, that if we don't learn the lessons from the past then it doesn't matter what you want to call it: the North American Union or the South American Union, or the European Union, or the African Union... it doesn't matter what you call it as long as the arrangement remains the same.
I've had lots of discussions with my Muslim brothers and sisters who have said to me, "Christianity is a white man's religion" But I'm like, "how is that possible when Christianity went into Africa before it ever went into central Europe?" Even the first people to become a Christian nation were not Romans, they weren't the Byzantines either, they weren't the Greeks... the first people to claim a Christian empire were the Armenians.
Because I know that the early Greeks and Romans and the early Europeans at that age did not see racism as we see it now - because racism was created to justify slavery to build the capital for capitalism - and back in the day they respected talent over race. We had an African Pope in the late 5th century, we had an African Emperor of Rome, and early church Fathers were black.
We still haven't gotten the message; we still don't see that it's bad. And then we copy everything about their [Roman Empire] structure. I mean Paul Bremer was the proconsul of Iraq. We're still using ancient terminology, we still have Senators and we have an Emperor, almost.
When we look at these types of things it echoes to lessons we haven't learned from the past. We still don't see Rome as a negative thing; we glorify the Roman Empire. It was a fascist state under the control of an incredibly authoritarian militant pre-emptive striking genocidal regime.
Power always becomes consolidated back into the hands of very few people... whether they be an economic aristocracy, a royalty, a monarchy which is the most concentrated form of oligarchy where it depends on one King who is ordained supposedly by God to rule.
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