Anything is art if an artist says it is.
Artmaking is making the invisible, visible.
It's not what you see that is art. Art is the gap.
The artist performs only one part of the creative process. The onlooker completes it, and it is the onlooker who has the last word.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
Destruction is also creation.
It's the viewer that makes the work.
I don't believe in art. I believe in artists.
The only thing that is not art is inattention
Art has the lovely habit of ruining all artistic theories.
I am interested in ideas, not merely in visual products.
Humor is the only reason to live.
I have forced myself to contradict myself in order to avoid conforming to my own taste.
As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good—I use it because I have to, but I don’t put any trust in it. We never understand each other.
Art is not about itself but the attention we bring to it.
I thought to discourage aesthetics... I threw the bottlerack and the urinal in their faces and now they admire them for their aesthetic beauty.
You cannot define electricity. The same can be said of art. It is a kind of inner current in a human being, or something which needs no definition.
Art is like a shipwreck; it's every man for himself.
I don’t care about the word ‘art’ because it has been so discredited. So I want to get rid of it. There is an unnecessary adoration of ‘art’ today.
This concern which interests us more than anything else: the blurring of the distinction between art and life.
Unless a picture shocks, it is nothing.
To all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing. If we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the aesthetic plane about what he is doing or why he is doing it. All this decisions in the artistic execution of the work rest with pure intuition and cannot be translated into a self-analysis, spoken or written, or even thought out.
Aesthetic delectation is the danger to be avoided.
I believe that the artist doesn't know what he does. I attach even more importance to the spectator than to the artist.
I like living, breathing better than working...my art is that of living. Each second, each breath is a work which is inscribed nowhere, which is neither visual nor cerebral, it's a sort of constant euphoria.
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