I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.
When I visited concentration camps, I was more interested in how people responded to the camps than in the actual places. I watched kids picnicking on the ovens and other people stricken with grief.
I think the difference between me and some of the other YBAs [Young British Artists] was that I was ambitious for the work, and not ambitious for myself.
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