Then at one point I did not need to translate the notes; they went directly to my hands
You cannot see me from where I look at myself
I wish i could change my mind
as easily as I change socks
But then I don't change socks so easily
Things looked funny because my pictures depend on an emotional state... I know this is true and I thought about this for a long time. Somehow it made me feel very, very good.
I finally managed to try to do away with myself, as neatly and concisely as possible. I would rather die young leaving various accomplishments, some work, my friendship with you, and some other artifacts intact, instead of pell-mell erasing all of these delicate things.
I feel like I am floating in plasma
I need a teacher or a lover
I need someone to risk being involved with me.
I am so vain
and I am so masochistic.
How can they coexist?
THIS ACTION THAT I FORESEE
has nothing to do with melodrama
It is that life as lived by me now is a series of exceptions
I was (am?) not unique but special.
This is why I was an artist
Am I in the picture? Am I getting in or out of it? I could be a ghost, an animal or a dead body, not just this girl standing on the corner?
Real things don't frighten me just the ones in my mind do.
Now we come to the passage. You can just see a little peep of the passage in Looking-glass House, if you leave the door of our drawing room wide open: and it's very like our passage as far as you can see, only you know it may be quite different on beyond.
A lot of photography is making records of people, as objects, friends. It's like organizing a wardrobe - in terms of size etc.
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