The thing all writers do best is find ways to avoid writing.
Spontaneity is one of the joys of existence, especially if you prepare for it in advance.
Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.
Freedom is just Chaos, with better lighting.
The universe is full of dead people who lived by assumption.
If you're crazy, there's two things you can do to make yourself feel better: One is to get yourself cured. The other is to make everyone you have to deal with crazy.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
I see the Jedi mission as giving up a normal life in exchange for protecting the innocent. It's a life of sacrifice. There are rewards, but also a certain degree of sterility.
We're all nothing but unified arrangements of atoms and particles, drifting around, enjoying consciousness every now and then for a second or so before splitting up to become bits and pieces of trees and stars and french fries.
Dawn was written well before 9/11. People speak a lot today about the banality of evil, but not all evil is banal. Some of it is carefully structured and well-thought-out. That's where the real danger lies.
I usually do one con a year as a GoH and try to make the World Fantasy Convention for business purposes. Last year I went to a worldcon for the first time in two decades. I may go again this year.
I have a bad tendency to get rapidly bored with my own material, so rewriting is hard for me. I mean, I already know the story and would rather read something new.
It is always hard when reality intrudes on belief.
Besides the mistakes that are pointed out, I love the way readers become involved with the characters. When readers start asking about character motivations instead of concentrating on the special effects, it means you're connecting with them on a personal level.
The overwhelming triumph of the international multimedia conglomerate has resulted in less diversity within the field and has made it much harder for newer writers not only to break in, but to make any kind of a living while doing so.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
I try to challenge myself as much as possible, as often as possible.
Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.
I hear entire symphonies, oratorios, in my head, but I can't write a note.
Advances have fallen, generally, for everything except the biggest potential bestsellers. Given all the changes, both economic and technological, SF hasn't done too badly.
There is nothing in art, in philosophy, or in politics to match the fervor of mutual cooperation among discordant bands of fanatics.
In loquaciousness lay insanity.
How much research I have to do depends on the nature of the story. For fantasy, none at all.
In one book, CACHALOT, just for my own amusement, every character is based directly on someone I have known.
I enjoy listening to classical music and heavy metal. I play basketball and try to go diving at least once a year. I don't really have hobbies in the traditional sense... I engage in too many activities already through the actions of my characters.
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