It's weird for me when someone asks me to do a remix as Girl Talk and not use samples.
Samples are kind of my instrument of choice.
I think collaborating with a DJ could be interesting musically and it's something that I'd like to get into down the road, but I think on the live show tip I'm sticking to my guns for right now.
I'm interested in anyone cutting up music and doing remixes. I just don't think it would work in a live setting right now to do shows with a traditional DJ, but it's something that might happen eventually.
I guess in a way I try to avoid being labeled as a traditional DJ.
I'm interested in branching out and seeing where my music goes.
I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.
The traditional DJ world isn't a world that I come from.
People see me on stage and sometimes they think, "Who's this hotdog thinking that he's the best." They miss the point that what I'm doing now comes from a whole different world of doing it for no one with nobody caring.
A lot of times people have issues with me because they don't understand where I'm coming from and haven't seen the years and years of hard work and shows I've played.
I think some people form the traditional DJ worlds misunderstand where I'm coming form.
I want to make something that's fun to listen to but still challenging and unique.
I think a lot of times people from the traditional DJing world think I'm trying to come up with an ultimate dance mix. That's not really what I'm doing. I'm trying to make something a little bit progressive and challenging.
It's easy to hate on things that are close to your world that aren't exactly what you're doing.
Fair use is a part of United States copyright law. You don't know if it falls under fair use until you go to court. Someone has to sue you and then you have to challenge it.
When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
Nowadays when you buy music its like you're donating to that cause, because you most likely could hear it in some capacity for free.
In the past, hearing music had more value.
As the times are changing, you don't hear as many sample issues with rap artists. Part of that has to do with production styles these days, but the nature of copyright is also changing as the internet becomes more of a giant.
With rap music, there are billions and billions of samples that are uncleared that people have never been bothered about on an underground level.
The point has always been to make music, it's not like I've always been running a giant money making scheme.
The primary goal isn't a financial gain; it's to put out interesting music.
My music should fall under fair use because it's transformative, it's becoming its own entity, and it's not negatively impacting anyone's sales.
I guess people naturally try to find meaning in music.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: