Each person shows something different, in every challenge that they come across.
I don't collect anything. I collect people, I think. I'm very social and I like seeing a lot of people.
When I was a kid, I didn't collect stamps, or weird toys, or anything. I don't even have music - I don't even have a CD collection. So that's not really my thing.
I have no skills. The only thing I could possibly do is teach.
Growing up I was involved in children's theater, so I was definitely on the path to be an actor and a singer.
The joy is when you work with great actors, it just comes to life in a way that you never even imagined.
I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.
After you read the script, then you actually just have to be in the moment you're in, in order to make it believable. You can't give it away. You can't tip it off. For me, it's always about being truthful in the moment I'm in. Hopefully, being able to reveal what I'm feeling, you have to believe it.
The only set thing I do is that I really, really memorize the lines. I've gotta be so comfortable with the words.
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