It's good to talk sometimes. Sometimes interviews are really good for you... You end up evaluating yourself more and talk about stuff that an ordinary person wouldn't necessarily keep revisiting. I used to close myself off and want to be alone, but now I'll call a friend. When you're in a relationship, they're that person.
When you reach a point of no return with someone and you feel there's going to be no reconciliation, you have to disconnect. I can't allow myself to be emotionally connected with people like that again, it's too damaging.
I'm genuinely peaceful and positive. I feel more grounded and connected with everything - friends, family. And I think I've changed the way I deal with stuff recently; I'm trying to think of everything in a more positive way because if something gets me down, it'll really gets me down. The thing I wish I could do more of is train. It's the one thing I do that doesn't require any emotion.
Fame doesn't make it hard to date, because I could be seeing someone now and no-one would know. But if you go out with someone who's in the public eye you're asking for trouble. It's double intensity, double scrutiny. Even if I just went on one date with a normal guy, word gets around and that freaks me out. I don't like all that gossipy stuff.
I believe that when you have fans, they invest in you not just as a singer but as a person as well. It's not enough to just have good songs and a good voice.
You never know what to expect. You don't just walk on and expect an amazing reaction.
I would like to be mates with Richard Branson because I've hung out with him and he is just the loveliest person and obviously a very rich guy and has a lot of stuff going on, but he's actually a really, really sound person, and he's really positive and he's got a really good energy, so I'd like to hang out with him a bit more.
I think I'd like to be best friends with Björk, because I'd like to pick her brain a lot all the time and just have weird times together.
I wish I could have hung out with Patti Smith in the seventies, and also have some crazy times.
I kind of just want to get to know people and I have a genuine interest in people that listen to my music. I've just always felt like that. I think it's from the days of playing guitar to a few people and being very conversational and very intimate and I've always wanted to keep that vibe.
I'm always intrigued by people that listen to my music, I just naturally want to get to know people who listen to my music because people who end up having such an attachment with my stuff, I wonder why they have such a connection to something that's so personal to me in the first place.
Stuff just comes out all the time, sometimes when I sing live it really comes alive and I sort of... I write songs and then almost... not forget about it, but live it really comes out and I suddenly realise what I've written. I don't know where it all comes from.
I've never wanted to be a star, I never wanted to be a famous person or anything like that, and I think my fans know that as well.
I like the idea about somewhere there being a world... somewhere there's a world that I don't know about. But also, that somewhere, there was once something that disappeared.
I've just become quite fixated on the idea of calmness and peacefulness somewhere, someday.
I think that one day I won't have any kind of... sort of, or it will be either way, I won't have to think about anything. But at the moment, god I think probably because of what I do and the nature of how it is, I'm all over the place all of the time.
I feel like sometimes I'm so positive and sometimes I think the worst of everything or I think the worst is going to happen. It's how I deal with stuff day-to-day, it's just how I get by really, and it's probably not the best way to be.
Some people don't have a way of that catharsis and I do, so I'm lucky in that sense that people listen to my songs and enjoy my songs. It's a really important thing for me, it's how I channel everything. I don't really know what I'd do if I didn't write songs.
When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
I feel like my songs are very relevant and very meaningful, but I literally have to get rid of the nostalgia for shows because I would just be mess on-stage otherwise.
Every so often I'll go back down to earth and I'll make reference to a phone or a house or something, something that's a bit more real. But I suppose what that does, is it puts you in a surreal place but also my music doesn't get too carried away in that sense, which I quite like.
I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.
I'd just like to think that there's some kind of underworld where whoever's been lost at sea is there... I dunno, there probably isn't, but I'd like to believe there is.
I wrote a lot of poetry that was based on stories of the sea and I was really inspired by that.
I believe in the moment of things and fate and things happening for a reason, so I write things down and I trust it.
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