I had long periods where I couldn't make things happen, and then periods of enormous good luck. I guess the trick is to keep going in the periods when you're not lucky, when your stars are not aligned.
There's no need to be tragic or destroy yourself or jump off a cliff. That's no longer the paradigm I wish to follow, or that anyone should follow. It is not necessary to be tragic. It's bullshit that women can't have it all. Why not? Other people do.
At any age you can start over. You have to drop the idea of where you should be in your career. And you have to do without a lot of love. Not everyone's going to love you.
If you have had some taste of success, it's extremely addicting. I think the withdrawal from that is what's most devastating. I don't think it's the success that kills people, it's the withdrawal.
My films have elements of genre in them, which prevents them from being purely art films.
There's absolutely no point in beating yourself up. Focus on going forward.
I think morale is the hardest part, not comparing yourself to someone else. I think everyone compares themselves to someone more successful than they are. Everyone does it. You have to embrace your own rocky path.
I see that women still have self-doubt, and at the same time I feel like I see all these fantastic young women, and they all have ambition and are so focused on their futures. I don't think that's an anomaly anymore.
They say that depression is anger you turn on yourself, and I think women do that.
Movies are a commitment. They take years of your life and they have big consequences. That's one of the bad things about movies - you're stuck with the aftermath.
I'm bored by films that revolve around a trick. I kind of know if a film is right for me; all the most important decisions are made intuitively.
The good part of working in TV is it's like being a studio director in old Hollywood and approaching different genres. It's a chance to try out different styles.
Some actors can draw from their own darkness.
The really important people in TV are not the directors; they're the writers.
When people see the conventions, they think they're going to get the straightforward genre - I don't give them that and they get mad. People see that and they think I don't understand the conventions because I'm not a good filmmaker.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
There was a lot of anger among critics that I had not made a sexy movie.
I was lucky with my first film because it had Warhol in it. That was the selling point.
One thing I'm not is a moralistic filmmaker. I'm not trying to tell people what to do, and I'm not trying to lead.
Americans always think they have to lead. I'm interested in ambiguity.
Mostly I'm just not American. I spent four years of my childhood here, but I think if you're Canadian you have a very different perspective. You don't think you're at the center of things.
I just don't think I'm an ideological filmmaker in any way. I don't know how anyone could see anything I've done and see that.
I'm not trying to make the world a better place.
It's hard when your first thing is something everyone loves. Actually, that never happened to me. I was lucky that my first film, which is actually the best reviewed of all my films, didn't have that success.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: