Your dresses should be tight enough to show you're a woman and loose enough to show you're a lady.
You can have anything you want in life if you dress for it.
Fashion is a language. Some know it, some learn it, some never will - like an instinct.
A designer is only as good as the star who wears her clothes.
Building a proper wardrobe is like building a home. Indeed, you should think of it like a home, because it is something you're going to live in. It must be comfortable and suit all your needs.
You can lead a horse to water and you can even make it drink, but you can't make actresses wear what they don't want to wear.
I assure you that even the most beautiful women are not pretty all over. They have merely learned to use clothes deftly enough to give
others the impression that they are.
Marlene Dietrich and Roy Rogers are the only two living humans who should be allowed to wear black leather pants.
I have yet to see one completely unspoiled star, except for the animals-like Lassie.
I always wear beige, black or white. For one thing I look good in them. For another, when I'm beside a star at a fitting, and she looks into the mirror, I don't want to be competing in any
Before you are interviewed for the job you want, try on the complete outfit you intend to wear.
Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.
Many women have asked me if it is possible to have a well-built wardrobe on a limited budget. 'Money,' I tell them, 'is no guarantee of taste, and an overstuffed wardrobe is often as bare as a skeleton when it comes to wearable apparel.'
What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen he's become a different person.
many women dress for men before marriage, and for women after marriage ...
Life is competitive; clothes gird us for the competition.
The cardinal sin is not being badly dressed, but wearing the right thing in the wrong place.
We ask the public to believe that every time they see an actress or actor that they are a different person.
With women, there's a basic female instinct of caring deeply about the way they look; women stars have a narcissist complex.
There's no such thing as a standard size movie star, or woman for that matter.
As women, we all have certain weaknesses. I know one who can't resist pretty shoes but has nothing suitable to wear with them. Others adore frilly lingerie but never have any money to buy outer clothing.
The subjective actress thinks of clothes only as they apply to her; the objective actress thinks of them only as they affect others, as a tool for the job.
Clothes are the way you present yourself to the world; they affect the way the world feels and thinks about you; subconsciously they affect the way you feel and think about yourself.
Some people need sequins, others don't.
My motto is that the audience should notice the actors, not the clothes.
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