Working with green screen, you really rely on the director in a way that you don't on different types of films.
I always have directors who are somewhat frustrated because they'll reference a beautifully obscure film from the '50s or '60s or '70s, and I've not seen it.
I think the kick to doing comedy is just to get in a film with really funny people and let them do their jobs. I find that in most comedies, I'm not the funny one, which works out great.
I have to say I've been lucky in that way in that I've been able to go from different films and different genres with different challenges.
I probably never would have been hired on Broadway had I not moved out to L.A. and pursued acting and film, which is sad, really.
I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that's my biggest challenge. Different words mean different things to people.
It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.
I've always really loved action films, but I don't see myself as a superhero girl.
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