I think a master craftsman is someone who is unpretentious. He has a physical object in front of him and, while he works with a higher aim, he doesn't let his personality get in the way of his art. It's simply about the task at hand and to make it as functional and necessary to the world as he can.
I do like the word timeless. That's a great word.
To me, craft work is the ultimate. Maybe I got this idea from the autobiography of Benvenuto Cellini, who was employed as a sculptor to the state and church, making coins and things. While he admired Michelangelo, he also made fun of his spiritual angst with art.
With death comes a choice. And death is a choice.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
Thank god we don't know a lot about William Shakespeare or Moses or Homer or Lautréamont. These are the best guys we got, and their art is powerful because they're mysterious. Once biographical information contaminates your consciousness, it's impossible to erase it and look at someone's work the same way again.
Elvis Presley wore a Star of David and a cross around his neck and, when someone asked him about it, he said, "It makes me think." I love that quote. It's simple. It's beautiful. It's true.
All these biopics and biographies and people gossiping about so-and-so's drug abuse or who's sleeping with who, it's just a bunch of nonsense.
Bringing the individual into it music only distracts from the universal and makes it trivial. And then it's easy to wash your hands of it because you might not be from their background, or you might disagree with their personal perspective. So you discount it and go back into your corner instead of coming out and engaging with everything.
Making music and art is about expressing something that's universally human, maybe even beyond human, at best. To make it about the artist and to dwell upon biographical information can only make it singular, and I am really, really disgusted by that.
Beggars can't be choosers. We don't have all the money in the world. So anyone who wants to be in the band and be broke - that's their own death wish.
I took piano lessons when I was a little kid, but even before that, you're singing in the classroom and wherever. Gosh, children are always singing. But I took music lessons, some choir and things like that at school. I learned how to play the guitar when I was about 13... ancient history.
I don't like the word "happy." I wouldn't want to use it that context. I enjoy writing songs, it's a really good challenge, it tickles me. It's a wonderful way to engage with your surroundings, through poetry and songs.
It doesn't mean that I'm overly enthusiastic about much music. Except the people that really touch me. It has to touch me, it has to grab a hold of me, I'm not looking for anything in particular.
I don't think music is my job - I don't think about it that way, because I don't really get paid. There's not paycheck at the end; it's more of a "whatever is left over" kind of situation. Also, it keeps me from thinking about my creativity as a business, which it is not. It should remain pure; that's one of the reasons I made music in the first place.
I think it's worthwhile to expand your comfort level and just do something awful. I wasn't trying to make music for money.
I miss working. It's real, you know? But I don't know anything but songwriting, and I don't even know that. I didn't go to school; the only thing I know how to do is this. The only thing that I know is that I know nothing.
I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.
This is a transitory world, we're all spirits just looking for love and finding it, and holding on. Even if it's a moment it's true love, true love doesn't mean that it goes on for eternity. Eternity is a terrible concept.
I don't think anyone knows anything and I don't trust people who say that they do. Don't give me a plan, give me action.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
That's the thing about inspiration, it just smacks you upside the head, you can't plan for it. It comes like a stranger in the night; you never know when it's going to come or leave, and you just have to deal with the in-between moments because there's nothing you can really do about it.
I love being lost! I don't need to control anything. Even with romantic partnerships, I don't need to control anyone. I think I have some very meaningful relationships with people, we all do. At the same time, I recognize that everyone is following their own heart; there's been people who have left my life and I don't have a problem with that.
I don't really write for an album. I just write songs whenever I feel like it, whenever they come to me. It's all a complete accident.
The writing of the record didn't take long, because I just have a huge stack of papers and I just pluck from the stack. It took a long time because it's very expensive to make records; in fact, I think it's a complete rip-off.
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