Nico Muhly Quotes

• As a composer you want to tell musicians two completely contradictory things. You want to say, "Play exactly what I wrote, but bring your own thing to it." In a lot of ways they feel like opposites, but in a sense, my job is to cajole or encourage decisions that I approve of.

  Nico Muhly

  Jobs, Opposites, Play

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• In really fancy restaurants they never point to the bathroom, they just gesture toward the bathroom or they'll lead you to the bathroom. The fancier the restaurant, the less pointing there is.

  Nico Muhly

  Gestures, Fancy, Bathroom

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Because I had been in conservatory for so long, I was jealous of my friends in bands.

  Nico Muhly

  Jealous, Long, Band

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• The score is doing a lot of work. It's like Wagner. It's like a yak carrying people.

  Nico Muhly

  People, Yaks, Score

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• My urge, when I go to the store, is to buy everything. And it's the same when I'm composing. My first instinct is basically to bring the whole store home, and not make a decision about how things play out.

  Nico Muhly

  Home, Play, Decision

  Source: www.believermag.com

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• I think my generation is a lost generation in a way.

  Nico Muhly

  Thinking, Generations, Way

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• For me the best kind of film music is liturgical music. Liturgical music is essentially a million scores for the same film.

  Nico Muhly

  Film Music, Kind, Score

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• I'm pretty clear about what I'm capable of doing.

  Nico Muhly

  Clear, Capable

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Writing orchestra music, you need for the emotional content to come from everyone doing everything together, adding up as it goes, a crowd mentality.

  Nico Muhly

  Writing, Emotional, Together

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• I'm trying to phase out my availability on the phone. People call you when you're walking down the street and say the most random stuff.

  Nico Muhly

  Phones, Availability, People

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.

  Nico Muhly

  Writing, Use, Something New

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Every couple weeks I'll listen to Sibelius's Seventh Symphony, just to check in, to see how it's doing. It's doing OK.

  Nico Muhly

  Couple, Symphony, Week

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Riding a horse is a relationship with a foreign creature, and with musicians it's a similar thing: "OK, I'm going to put something on the page that will spook you into rushing." Little games you can play.

  Nico Muhly

  Horse, Games, Play

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.

  Nico Muhly

  Fashion, Looks, Pages

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it.

  Nico Muhly

  Interesting, Let It Go, Stories

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.

  Nico Muhly

  Writing, Player, Trying

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• I didn't entertain the idea that my music would ever become available in any of the ways that I had previously known music to be available.

  Nico Muhly

  Ideas, Way, Known

  Source: www.believermag.com

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• Even more than in the concert hall, in church there are things you can and cannot do, just out of respect. You would never have the sound of someone being nailed to a cross, or the sound of a child being born, because everybody knows the story. We know that we're meant to feel a complicated raft of things.

  Nico Muhly

  Children, Church, Sound

  Interview with Sean Michaels, believermag.com. October 1, 2008.

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• With chamber music you can get people who work on the music for months, rehearsing it every day for a couple of hours, and if they get it in a different way than you do, which is entirely possible, it's not as a result of anything other than their good musicianship.

  Nico Muhly

  Couple, People, Different

  Source: www.believermag.com

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