The role of the artist is to make the revolution irresistible
Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I've seen them doing it. Words set up atmospheres, electrical fields, charges.
Revolution begins with the self, in the self.... We'd better take the time to fashion revolutionary selves, revolutionary lives, revolutionary relationships. Mouth don't win the war.
Writing is a legitimate way, an important way, to participate in the empowerment of the community that names me.
TAKE HEART TO FLAT OUT DECIDE TO BE WELL AND STRIDE INTO THE FUTURE, SANE AND
Write a lot and hit the streets. A writer who doesn't keep up with what's out there ain't gonna be out there.
The dream is real, my friends. The failure to make it work is the unreality.
For people sometimes believed that it was safer to live with complaints,
was necessary to cooperate with grief, was all right to become an accomplice in self-ambush...
Take heart to flat out decide to be well and stride into the future sane and whole.
The job of the writer is to make revolution irresistible.
She [my mother] gave me permission to wonder, to dawdle, to daydream.
Revolution begins with the self, in the self.
When you dream, you dialogue with aspects of yourself that normally are not with you in the daytime and you discover that you know a great deal more than you thought you did.
What can defeat greed, technological superiority, and legal lawlessness ... is discipline, consciousness, and unity.
Writing is one of the ways I participate in transformation.
An artist represents an oppressed people and makes revolution irresistible.
Reappraise the past, re-evaluate where we've been, clarify where we are, and predict or anticipate where we are headed. . . .
Our lives preserved. How it was; and how it be. Passing it along in the relay. That is what I work to do: to produce stories that save our lives.
My responsibility to myself, my neighbors, my family and the human family is to try to tell the truth.
All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.
When we ever invited the beast to dinner he didn't come in and swipe the napkins and start taking notes on the tablecloth 'bout how to take over the whole house?
Take away the miseries and you take away some folks' reason for living.
Old folks are the nation.
What is happening to the daughters of the yam? Seem like they just don't know how to draw up the powers from the deep like before. Not full sunned and sweet anymore.
The only proper mask to wear in life is your own damn face.
(M)aybe we too busy being flowers or fairies or strawberries instead of something honest and worthy of respect . . . you know . . . like being people.
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