Now there is no taboo; everything is allowed. But one cannot simply go back to tonality, it’s not the way. We must find a way of neither going back nor continuing the avant-garde. I am in a prison: one wall is the avant-garde, the other wall is the past, and I want to escape.
Stravinsky used Mother Goose. He was influenced by Mother Goose, indirectly, but very beautifully
Then, after the war it was impossible to travel, after so many years of Hitler and Stalin.
I continued to study Math and Physics on my own, but one and a half years later I realized that I did want to be a composer, and after that I never changed my mind.
I don't read such boring things. Life is too short.
I only want to give a metaphysic for my music.
Well I live in Vienna with my wife and son, and I teach in Hamburg, there will be no changes in that respect.
First of all I listen to music. I like music.
When I was younger I was completely without money - when I was studying in Budapest, when I was a refugee
But if you go from Moscow to Budapest you think you are in Paris.
I know already the music I will write. But the words? I have not yet decided.
I write bars, for the musicians, because they have to be together.
Yes, fractals are what I want to find in my music.
However, I began composing as soon as I started taking piano lessons.
People often thought Leopold Auer was Russian because he lived in St. Petersburg so long, almost fifty years.
There is a wonderful Hungarian literature, especially in lyric poetry.
It isn't false modesty when I say this, but although I am supposed to be a famous person it doesn't mean anything to me. I just sit at home and work.
There was a very famous musician in our family. He was a great violinist, an internationally known teacher. He was Leopold Auer.
In my piano concerto I developed this polyphony to much higher complexity
Once, in London, the BBC asked me what was my favorite English book. I said Alice in Wonderland
New York is the dream world, the center of jazz and rock
I lived under the Nazis and under the Communists.
Perhaps the better word is emotional yes, I am an emotional man
In January 1944 I was called up by the Forced Labor Service, but I deserted on October 10, 1944.
I was fifteen years old, and I hardly knew how to play a simple Bach prelude on the piano when I began to compose music, and at the most advanced level. I had never studied such things as harmony.
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