People who paint, including myself, get to a point where a bit of angst comes in. If you're doing it for a living, it's worth it to suffer those slings and arrows.
Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That's the thrill for me. It still is a thrill, which is amazing after all this time.
My thing is about following the accidental, more than trying to paint an accurate bowl of apples. I enjoy most following the paint. It leads me somewhere else. I think I enjoy just letting the magic unfold and letting the spirit of the paint tell me where we're going.
I think when you're making an album, as the songs are piling up, one of the good things about it is that you will often write the song that you need.
I did study Shakespeare, that was sort of my thing; I got a Literature A-level, which is my only claim to academic fame.
I'm not really comfortable singing without accompanying myself on stage - I'm not used to it.
Sometimes when you write a thing you think, 'Oh, this is good', and it's not a modesty or an immodesty thing, you just... it's just the same with anything; when you write a piece you just figure, 'Oh yeah, I'm on a roll here. This is good; I'm getting the hang of this'. Some pieces are better than others.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
I can't manage without homeopathy. In fact, I never go anywhere without homeopathic remedies.
I think globally and act locally.
I am not religious, but I am spiritual.
I think the minute you're full up and have had enough to eat, then that's time to retire.
I should be able to look at my accolades and go, "Come on, Paul. That's enough." But there's still this little voice in the back of my brain that goes, "No, no, no. You could do better. This person over here is excelling. Try harder!" It still can be a little bit intimidating.
A lot of the Beatles albums were very various, and we did it on purpose: We didn't want the next track to sound like the last one.
No matter how accomplished or how many awards you get, you're always still thinking there's somebody out there who's better than you.
So many times, I will have people tell me what I did when I was younger. There's so much being written [about] the early Beatles period, and even pre-Beatles period. And people will say, "Oh, he did that because that, and that happened because of that." And I'll be reading and think, "Well, that didn't happen" and, "That's not why I did that." Like anyone's history, you remember what went down better than people who weren't there.
I'm actually doing what I want with my life. I do sometime think I could just shut up and rest on my laurels and say: you know what guys, I'll operate out of the pocket you put me in.... but no way! No way I'm gonna do that! I'd just get bored stiff the first minute.
I do have a spongelike ear or mentality or whatever you call it, but it's probably a bit subconscious.
The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out.
I meet so many people that just sort of say, "I want to thank you for your music. It really helped me" or "It changed my life."
The interesting thing about the Beatles was: The music was one thing, but we kind of symbolized a certain kind of freedom at a time when people of our generation were just growing up and just becoming adults.
Sometimes you write a song in a certain era and it's got a certain kind of significance.
That's not really important what religion people are attached to, because by the same argument I have a lot of Christian friends and Moslem friends. It's just happened that I do have a lot of relatives and friends who are Jewish.
I play to all people, and I play to people not governments, and I believe strongly that all people are peaceful and would want peace.
Domesticity is the enemy of art. I don't know if that's true. You can write good happy songs. So, I don't think it's necessarily happiness. But I think self-satisfaction is maybe the enemy. It's kind of better to think, "Tomorrow night I'm gonna sing it better." There is this forward effort. It feels to me right, it feels human.
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