I went to art school, and every Tuesday and Friday we drew the nude. If you look at Western painting, male and female nudes are in the center of every painting. It's difficult and exciting to draw the nude. Why get so upset about this? It's our duty to break taboos.
The only thing they can't teach you at art school is art.
I'd love to go to art school. I'd love to learn how to draw. I'd love to be fluent in Spanish. I'd like to be a brain surgeon.
I did go to a performing arts school, so that facilitated my creativity, though I ended up going in a more musical direction.
My old school in Liverpool is now a performing-arts school, and I kind of teach there - I use the word lightly - but I go there and talk to students.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
When I went to university, I was a philosophy major, but because I'm not very bright I chose to study philosophy at a performing arts school, maybe because the philosophy program there wasn't too rigorous or challenging.
I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.
After finishing art school I was applying to stores like Home Depot and Walmart. You know, places where you have to take a urine test before you get your minimum wage. Even those places wouldn't hire me. So I was lucky when I got included in a group show at the Richard Heller gallery that kind of started my art career.
Teaching at university isn't like teaching in an art school.
I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional.
Jack Sturtzer, one of my cousins, had gone to art school and suggested that I might be interested in a private school called the Art Institute of Buffalo, and in fact that is what happened. So upon graduation in 1948, I then went to stay with my cousins on Seventeenth Street and enrolled in the program at the Art Institute on Elmwood Avenue.
I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.
The first drugs I ever took, I was still at art school, with the group - we all took it together - was Benzedrine from the inside of an inhaler.
For one year I did go to Performing Arts School, and I had very weird friends.
I grew up in the church, singing in choirs, and I went to a performing arts school, and I had a gospel group, so music has always been in my blood.
I went to a theater arts school, so I'm interested in many different projects, whether it be film, television or even live theater. I'm a performer. That's what I do. That's what I want to do.
I went to art school, and that's how I got the internship, and then I started a band. But I always missed comics, I always wanted to do them.
I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.
The art school babe quotes William Blake as she rolls a joint, then I think that I'll score.
The art schools seem to be trying to turn people out as "professional." But I don't know what the word "professional" means any longer. "Professional" would be somebody who was trying to push painting to a point that nobody else could do as well as he could. That would be my ideal professional.
I was applying to the art school, but there was a checklist that said I had to do either production design or stage management or acting. I thought, "I don't want to be an actor, but I know production and stage management take acting classes" - this is literally my internal monologue. I was like, "Designers don't have to take acting classes. Cool. I'll check that box".
There is nothing harder to learn than painting and nothing which most people take less trouble about learning. An art school is a place where about three people work with feverish energy and everybody else idles to a degree that I should have conceived unattainable by human nature.
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