A lot of the acting students would do modeling in the arts school, so there were some gorgeous girls, but the cliché in our school was to get either the really emaciated person or the really obese person - which is stupid.
I was a jock, hardcore sports all the way down the line, but I heard that if you auditioned for this arts school, you got time off school, and that sounded good to me.
I worked my way through art school as an auto mechanic, doing various stuff including sanding bodywork and using Bondo filler.
This project started nearly twenty years ago as an assignment in my typography class at art school. Students were encouraged to see letters beyond their dull, practical functionality. We played with their unique shapes and tinkered with their infinite possibilities. The challenge was hard, so the reward of “cracking” a word felt great. This became a lifelong project for me.
When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.
It's useful to know how much society's holding you back. My mother would talk about how she was told by the head of her art school that she was the best painter, but that she wouldn't get the biggest prize because she would waste her talent by having children. I think we have to get honest with girls about how they can expect the world to block them, and we have to prepare girls, and ourselves, to break through those blocks.
An art school is generated only by the intensity and heat of a common pressure.
Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.
During the Renaissance, women were not allowed to attend art school. Everyone asks, where are the great women painters of the Renaissance?
Do what you love. Go to a good art school and study with the best teachers. Move to New York and read Ask Mark Kostabi.
I love an art-school girl. I mean dont we all?
I went to art school and never thought I'd be a musician, but then punk rock came along in the late 70s and kind of ruined my life. So I quit art school to get involved in music and I've been doing it ever since.
I went to art school, but I didn't last because in those days you couldn't take comics as a course. And they weren't even teaching you to draw real things, they were really into abstracts, and I was not into abstracts, so art school and I did not work out.
It was only after I had been out of the art school that I actually copied a small Seurat, and I copied it in order to follow his thought, because if you do copy an artist, and you have a close feeling for him, in fact that you need to know more about his work, there is no better way than actually to copy, because you get very close indeed to how somebody thinks.
One of the big failings of art schools is that students aren't given any teaching on how to survive as a one-person business, which is what it is.
I teach art at a famous art school, and yet I don't have really the least notion what post-modernism means, but we have people in the letters and science department that understand it quite well and the students go there if they want to understand what this term that is being bandied about is all about, but I've never understood it.
I started to paint in the year 2000. I never thought of going to an art school, even though I loved art.
I went to art school and interned at DC, and then did the band. When that stuff comes up, you've gotta embrace it and run with it for as long as you can, and I did. I did that for as long as I felt I could.
I think that once you're able to sort of get in line with who and how you relate to the world, you'll become closer to this index that I'm referring to. Because what you want is this card that relates to that book. What you want is this human that relates to this world, rather than having this art school society scattering that point of view somewhere in between. It becomes diffused. And that level of clarity, I think, was gained at the Studio Museum in Harlem.
I was 11 when I was first introduced to live drawing classes and going to art school.
When I was a child I could do math and art, so I had left- and right-brain capabilities. But I've seen my children, who are more right-brained, struggling. My son was told he wouldn't make it to college, but he dogged it through and ended up being accepted by 10 major art schools after the high school advisor said, "Please don't apply. You're going to be disappointed." That kid's an artist now.
In art school we're always taught that art is an end in itself - art for art's sake, expressing yourself, and that that's enough.
I went to an arts school as a kid. We had to take dance every other day, along with drama, music and visual arts. However, wearing black tights was something I dreaded... and still have nightmares about it to this day. I think I was a pretty good dancer. I suppose that training helped me land parts in musicals... or has just given me nightmares!
Both of my parents were cartoonists - they met in art school - so I was always drawing and I was the best artist in my class and all that stuff.
I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.
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