I have a very personal view of what I want in a café. I don't spend a lot of time thinking about what other people want. I have my enthusiasms, and it's exciting to work through them in this medium of coffee bars.
What we need now is the greatest generation of young adults in the history of the Church. We need your whole heart and soul. In other words, it's time to raise the bar not only for missionaries but also for returned missionaries and for your entire generation.
If something comes along that you don't like, there are a few sort of four-letter words that you can use to push it out of the sphere of discussion. If you were in a bar downtown, they might have different words, but if you're an educated person what you use are complicated words like "conspiracy theory" or "Marxist." It's a way of pushing unpleasant questions off the agenda so that we can continue in our own happy ideology.
I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.
Between 1995 and 2005, the prison population grew by 30 percent, meaning an additional half million criminals were behind bars, rather than lurking in dark alleys with switchblades. You can well imagine liberals' surprise when the crime rate went down as more criminals were put in prison. The New York Times was reduced to running querulous articles with headlines like Number in Prison Grows Despite Crime Reduction and As Crime Rate Drops, the Prison Rate Rises and the Debate Rages.
Paul McCartney is a genius ... Paul married Rock & Roll to beauty, and forever raised the bar for composers, musicians, and fans ... an incredible solo performer ... the creator of our favorite songs.
I learned a lot about lead; you don't have to blow your cookies in the first bar. It is much harder to be simple that to be complicated during solos.
The idea that guys should walk into a bar and confidently initiate contact and then seduce a woman based on a short term conversation is a toxic cultural myth that robs guys of self-confidence and that holds them up to an unrealistic standard that they have to become a super-extraverted narcissist in order to 'score with women'
It's progress I think, that science has joined philosophy, metaphysics & religion as subjects drunk people argue about in bars.
When I first started, I worked with three chords in every bar, but I found that tied me down - I'm not a chord-change writer, I'm a songwriter.
I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.
I remember back in Detroit, I used to go to the Apex Bar every night after I got off work. The bartender there used to call me Boom Boom. I don't know why, but he did.
I used to play pianos in bars. You know in hotels, you'd see guys playing piano with a snifter? That was me, with a painted-on mustache. I was about 15.
When I was 13, I was playing in the bars. I guess it's a changing world. Some things are better today, like the internet. We have different ways of reaching each other. E-mail and all that stuff is wonderful. I actually think the kids are missing out on a lot of stuff.
Good Lord's been kind to me, that's all I can say. I wake up in the morning with music in my head a lot of times. I won't say every morning, but I wake up in the morning sometimes with eight bars in my head and I just go to the piano.
Just go to a bar, watch football - that's fun to me because I've not gotten to see anything because I've been travelling so much. Playing some shuffleboard and some pool and darts. I like kind of dive-y bars.
I would rather people not smoke. I certainly appreciate the fact that smoking is not legal in restaurants and bars. That used to stop me from going out at night because you'd go someplace and your clothes would reek and you wouldn't enjoy the experience and that affects your rights. It's always a question.
I grew up bar-singing and saw all kinds of ways people tried to outrun their emotional pain. It doesn't work. You end up with the original pain, as well as new pain added on top of it from the tactics you used trying to avoid it in the first place. It's best to take a deep breath, bolster yourself, and walk through it.
I can make a record like the [previous] one I put out, but I don't want to do that because I want to set the bar so high for myself. I don't want to do it like everyone else.
When I'm writing in my bedroom, in a bar, at my kitchen table or wherever, I'm conjuring it all up on the page. That's all well and good, but it is going to be a limited perspective at that point and time. Occasionally, what I write might read really well initially, but then you change your mind while hunting for locations when you discover settings which offer even better opportunities for drama or dramatic staging.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
Before too long I was playing badly out in some bars around Memphis, but as soon as I learned a few chords I started writing my own stuff.
A lot of my buddies enjoy the writing part or the studio part, and I love the live show part. That's the reason I got into all this, to play keg parties and bars. I still love playing live.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
Music was fundamental in my family. Sang at bars, all the way to church on Sunday. Music in school, played guitar pulls at the house, go to other people's houses and break out the guitars, it was fun. It was always there, I've just been a part of it.
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