It doesn't matter how long my hair is or what colour my skin is or whether I'm a woman or a man.
Colour is a power which directly influences the soul.
The purest and most thoughtful minds are those which love colour the most.
Colors, like features, follow the changes of the emotions.
Fashion should be something that in the morning, when you open your window, you say, "Oh fantastic, sun!" Then you take your shower, you say, "OK fantastic, which colour I wear today because I feel happy?" This should be fashion.
Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.
Beauty without colour seems somehow to belong to another world.
Any customer can have a car painted any colour that he wants so long as it is black.
I cannot pretend to be impartial about the colours. I rejoice with the brilliant ones, and am genuinely sorry for the poor browns.
Put variety in white.
Why do two colors, put one next to the other, sing?
Anything can be any color at any time depending on what color everything else is at the time.
Color is the fruit of life.
Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
Color is a powerful physical, biological, and psychological force. When less color and less intense color is present, trace amounts and subtle differences become highly significant and are strongly felt.
All students need to know about color is the basic color wheel and complimentary colors. There are many books on color theory; do not waste your time and money.
It is only after years of struggle and deprivation that the young artist should touch color - and then only in the company of his betters.
The range in brightness from the purple glow [of the sunset] to the dark sky above is too great for most films, and naturally it is beyond the range of printed pictures.
Chromophobia is perhaps only chromophilia without the colour.
If Bacchus ever had a color he could claim for his own, it should surely be the shade of tannin on drunken lips, of John Keat's 'purple-stained mouth,' or perhaps even of Homer's dangerously wine-dark sea.
In precious opals there might be a dash of red here, a seductive swirl of blue there, and in the center, perhaps, a flirtatious glance of green. But each stone flickers with a unique fire and a good opal is one with an opinion of its own.
An artist is either good at color or good at value but rarely good at both. I focus on the tonal range, the dark-light effects, rather than the full color range of bright colors. I just don't know what to do with all those cadmiums.
All the best artists have shown that the greatest achievement in the production of fine color is the concealment of pigments, and not the parade of them; and we may say the same of execution.
There is no tube of paint that says, 'Don't know.' I have to come to grips with it.
If you look closely at any face, you'll start to see that different areas of the flesh tones are tinged with four other colors - red, green, purple and yellow.
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