Malevitch discovered abstraction as an experimental principle that can propel creative work to previously unheard levels of invention; this abstract work allowed much greater levels of creativity.
Well, it's not all the same, but there are a lot of parallels. I'm not sure how to answer [on psychology background], but I think when I was studying psychology I had a professor and a friend who would talk about "process" all the time. Your process, his process, the group's process. There's some carryover from that discussion to my creative work.
Technology enables consumers and investors to have extraordinary choice and ease of switching, which, in turn, stimulates much fiercer competition than ever before, which, in turn, makes it imperative for every institution to innovate like mad. That innovation is powering our economy these days, and it requires companies to find and utilize creative workers. That's the most important syllogism going; technology is embedded in that syllogism, but it's not as if we're seeing these productivity gains because of the technology.
Teaching and writing have tended to proceed on parallel lines, but there have been times when there was indeed carry-over from the classroom to the creative work.
Advice for young people who want to channel their personality into creative work - be authentic.
You don't think your way to creative work. You work your way to creative thinking.
All creative work has its greatest reality while it is still in a man's mind, before he begins to execute it.
It's a sign that you have a good work relationship if you don't have to analyze. That's usually a good sign within creative work.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
Artists and creative workers - people who have accomplished work worthwhile have had a very high sense of the way to do things. They haven't been contented with mediocrity. They haven't confined themselves to the beaten tracks; they have never been satisfied to do things just as others do them, but always a little better. Few are those who see with their own eyesand feel with their own hearts.
There are... scientific works - star catalogues, for example - which are not art; but the theoretical structures of Gauss, Einstein, or Maxwell are original, individual, "very personal" responses and expressions of exactly the same kind as the creative works of Beethoven or Dostoievski.
To keep the readers interested, and coming back, and to keep coming up with new and exciting ways to present stories and to present the character in a reflection of the times, is an absolutely incredible accomplishment. Hats off to all these people who have done such incredible creative work and still do every week.
We still spend more time chasing funds than we do in the studio in creative work.
I focus for periods of time on creative work and I'm very insular during those times - not a lot of socializing. I play when I want. That means I can take off on a retreat, catch a matinee, make friends. My core desired feelings are my time management system.
Nobody tells people who are beginners - and I really wish somebody had told this to me - that all of us who do creative work... get into it because we have good taste.
You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.
I believe that the creative impulse is natural in all human beings, and that it is particularly powerful in children unless it is suppressed. Consequently, one is behaving normally and instinctively and healthily when one is creating - literature, art, music, or whatever. An excellent cook is also creative! I am disturbed that a natural human inclination [creative work] should, by some Freudian turn of phrase, be considered compulsive - perhaps even pathological. To me this is a complete misreading of the human enterprise. One should also enjoy one's work, and look forward to it daily.
I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
When its comes to music and books 'OK' is not good enough. We need creative work that floors us! That we can't believe the beauty and brains and style and cool of. 'OK' can kiss my arse.
What characteristics are most important in creative workers? One quality you need is inventiveness. You need to be able to take whatever product or service you are providing and figure out ways of making it better, faster, cheaper. The other quality is empathy and insight into what people might want, even though they don't even know their wants, probably because there's no product or service to test their wants.
If you want to do creative work, there are tremendous sacrifices involved, and tremendous financial sacrifices too. It requires dedication and solitude.
It is ironic that Einsteins most creative work, the general theory of relativity, should boil down to conceptualizing space as a medium when his original premise [in special relativity] was that no such medium existed[..].
You need to reinvent yourself every day when you are doing creative work. I always say that the moment I feel I'm at the top of the mountain and I cannot do more, I would be finished. So that's why I always feel the earth quake beneath my feet. I always feel myself on the fire. Because I think this is something that gives you the right adrenaline to work and go forward in your professional life. I have reinvented myself, believe me, many times in my life!
The more I do this creative work teaching the "Personal Creativity in Business" course at Stanford the more I realize that business is about people in groups being creative in their own way. If business creativity does not allow individual development, then it isn't sustainable. But if business creativity means people bringing out their best and developing that, then amazing things can happen - not only for the business but also more importantly for the individual and the surrounding community.
The first time you have a little success, some good feedback, you start imagining having a career, or being a professional musician. But while being creative, or doing creative work, is very natural for humans, to think of that as your main occupation, that's a really important transition.
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