Just because my personal life may not be in shambles any more it doesn't mean anything has been solved. A ring doesn't solve problems. I think I'm still having dark visions. I think I'm just a little bit fatalistic. There is a personality flaw at work perhaps.
I have a lot of mental issues that I just am so fearful of things, which I shouldn't be, right? Scared of heights. Scared of buildings falling on me. Scared of the dark. Scared of crowds. Those are my biggest issues. I'm just scared of people. It's just - in general.
That complacency and that willingness to give yourself over to a larger power structure is how civilizations destroy themselves. And I just hope people wake up from the slumber they've willed themselves to. Because we're really in a dark place right now.
Yet it's true that looks matter in politics... It is also true that perfecting the outer shell has become an obsession in this country... Mitt Romney, Barack Obama and John Edwards almost always look good, and pretty much the same, in dark suits or casual wear. Fred Thompson always looks crepuscular and droopy. Often Hillary Clinton looks great, and sometimes she looks tired, heavier or puffier.
Some are exploring the world through the subconscious. I've done that on occasions for various reasons, whether it be illness or self abuse, or whatever. Once things start to look grotesque I don't write them or sing them. I couldn't write them - making nightmares into living daylight...The minute it gets dark I shoot back, retreat.
That is what I want to make clear today. A man with a long history of racial discrimination, who traffics in dark conspiracy theories drawn from the pages of supermarket tabloids and the far, dark reaches of the Internet, should never run our government or command our military.
It's always pretty dark. It's not a farce, this is Homeland. Throughout six seasons, we've been trying to understand what it's like to be a civil servant, and the cost involved, and it's big. A lot of these people make profound sacrifices, and are very isolated and estranged from the people they love. That's a reality.
I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.
I got fascinated by the idea that our universe itself is comprised mostly of dark matter and dark energy. Things that we can't perceive at all, and we've only discovered that relatively recently. So it's almost as if our universe is the foam on the ocean of things that we can't see, or know, or perceive, and yet we feel the affects of those things right and left.
There's always this weird dark humor within a lot of Depeche Mode songs that people miss, tongue-in-cheek and also very British.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
I have already spoken to three US Presidents. They come and go, but politics stay the same at all times. Do you know why? Because of the powerful bureaucracy. When a person is elected, they may have some ideas. Then people with briefcases arrive, well dressed, wearing dark suits, just like mine, except for the red tie, since they wear black or dark blue ones. These people start explaining how things are done. And instantly, everything changes. This is what happens with every administration.
There are real issues that the president Donald Trump and particularly Steve Bannon, his political adviser, are pushing. It's a vision, a rather dark vision, of a 19th century world where great powers do transactional issues.
Canada has some very, very dark histories, from internments to turning away the St. Louis and the Komagata Maru, but none is darker than our abject failure to respect rights, the spirit and intent of the original treaties with First Nations, Métis Nation, and Inuit peoples. We have to transform that relationship.
I have a life, I have a wife. I have an adult son who I'm very close to, and friends. I go hiking almost every day, four to six miles. In the summer, I'm out surfing or swimming. I think that real, human relationships with people mostly balance dark places in my work.
For two centuries, Poland suffered constant and brutal attacks. But while Poland could be invaded and occupied, and its borders even erased from the map, it could never be erased from history or from your hearts. In those dark days, you have lost your land but you never lost your pride.
War films usually so dark or dirty or intense, and sometimes they guide you to feeling a certain way against war, in general. But, to have a film that just speaks honestly to the soldier's experience and isn't jaded and is just authentic and easygoing in its message, I think is really nice to see.
I think acting came later in life when I went to college. I started out there. I wasn't a big star in the school plays or anything. I guess I just really liked stories. I was an English-literature major, and that's all about stories and narratives. Film and theater are very powerful storytelling mediums. You sit in a dark room and enter another world. I love that as a member of the audience, and I sort of wanted to get on the other side.
Personal evolution has nothing to do with art, it's never. Art is a sine curve: dark and light change permanently, in cumulative radicalism. Art decides what to do. The choice of colors is made by the colors themselves. The evolution of art is the evolution of the future itself.
I am aware of the changes, but in no sense am I believer that we live in a post-racial society. That's a description of our inheritance and that is theirs, which is inescapable. It is doesn't matter if you are from New England or Mississippi. You're an American. It doesn't matter if you are white, black, brown, or Asian. It is part of American society. You'd have to be blind, deaf, or dumb not to know it. The emphasis on color or the fear of it, is all part of the same dark flower. I am trying to point to that and to bring it all the way back from Senegal.
One of the most memorable moments was when I first saw earth because I had seen many pictures, many videos of earth from space, and being able to see that with my own eyes had a completely different effect, and sort of almost sensing life emanating from our planet in the dark background of the space, it was a really memorable experience.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
We have a society that monumentally conspires against the pursuit of health. We have wave after wave of labor-saving technology that says don't ever use your muscles for anything, along with messages that you should be more physically active. We have, every year, the introduction of hundreds, if not thousands, of new highly processed foods, the majority of which glow in the dark. At the same time we're telling people: eat foods closer to nature. We have schools where we teach children to sit still all day long so they can become adults we can't get off couches with crowbars.
The Dark Dark is a far slower project, clearly, and that's a relief. I look for slowness anywhere I can find it.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
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