There is only one way to come out of that dark place, and that is through the power of prayer.
People's minds are polluted by these dark pictures of the future from Hollywood: "The Terminator," the Skynet, "The Matrix." It's world where there's no room for humans, or they have to fight against the machines. I think it's just a way, way, way, way in the future. Is it going to happen? I don't know. For me, these debates are not similar, but they resemble debates about how the sun will turn into a supernova in 4 to 5 billion years. Frankly, I don't care.
Do not see the world as dark, see it as light. When you find darkness bring the light into it. The way to remove darkness is to shine light on it.
The wildwood is everywhere. It's inside us. It's outside us. And, of course, if you happen to be near any of the more ancient forests, not just in Europe; then, you are in touch with the source itself. But for me, it's about journeying into an inner landscape that is deeply embedded within us. We have a wild nature that most of us have forgotten, but it's there. And it's both light and dark. There are ancient atavistic things that need to be approached with care. But even these, if faced up to, can bring blessings.
You can always accuse my records of being harrowing or dark or bleak. There is processing of trauma on my records and they contain a lot of healing. As a person who has been watching other's rage for years, instead of having my own tantrums, I keep the feelings inside until I can find a way of making them into music. The songs are like healing spells and it really works for me. When I really do a good job on a song, it gets rid of a weight. As far as hope goes, there is hope that you can heal through processing stuff and make it through to the other side. That's all I can hope for.
My only crash - I'm a safe driver, though I have scraped a couple of cars parking them - but my only real big crash was on the M11. It was a section with no street lamps, and it was really late at night so it was really dark. I was driving along in the middle lane doing 70mph, not going fast, and then suddenly in the lane in front of me there was this Ford Ka on its roof. I had no chance. I managed to avoid hitting it, but I span the car and hit the barriers. It was a write-off, but fortunately the person who'd been in the Ka was OK and I was fine, which is what matters.
I think I'm determined. And I think if you're determined, you're right. Your behavior is exactly the same when you're stubborn, except then you're wrong. And so, there's times when I'm wrong, and I'd say, "Well, you were the dark side of determined." But I think determination, you know, it's like have an idea, think about the idea, the risks involved. What does it take to get from here to there? And then once you make the choice, you just keep going.
I never feel the need to go out and make some grand statement that I'm dark and twisty and complicated, because I'm not that either. It's just not as simple as ponies and rainbows, though I do love ponies and rainbows.
I like using odd materials or odd components for embroideries. I've always liked that Elsa Schiaparelli world of playing with unusual objects to make something really beautiful. That's part of the game. We can do things that are lighthearted and playful but we also do things that are quite dark and sinister. I oscillate between the two.
Everybody says video-game adaptations are all the same, but I disagree. Normally, video-game adaptations are like Alone In The Dark, Resident Evil, Alien Vs. Predator - sci-fi creature stuff. But I think I've covered] a wide range of genres and time periods, like Transylvania in 1700 and now a Western with BlodRayne II, or adventure with Dungeon Siege, or comedy and satire with Postal.
I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could portray a character who was so ambiguous and multi-faceted. Ben is equally dark and innocent; potentially violent and yet at the same time kind of a boy. He got all that across and still makes audiences root for the guy even though they might be kind of disturbed by that fact.
We make movies about remarkable people like President Mohamed Nasheed of the Maldives in "The Island President" and Al Gore in the film, who get up every day and are driven in an almost inhuman way to make a change in a problem that they see in the world and shine truth into a very dark arena where bad actors try to lie to the American public to gain profits for fossil fuel companies. To us, that's a natural drama. And that's primarily where we work - character-based films that we hope will bring issues to life through their stories.
Our music was meant to be motivational, we thought it would be interesting - when you have a breakup, or when you have hard times with your honey, you know, hard times in life, you can feel sad about it, or you can sometimes, take a dark time and make it, like, One lumen nicer, you know what I mean?
Powers that be can't stay in control if you have everybody in love and in tune with each other and with the planet, and in tune with the electrons and the dark matter that's moving at the speed of light. That won't work in their interest. They gotta get you ready for your microchip.
I've never been able to write for myself. I was doing a lot. I produced The Green, I wrote it - I didn't see myself in the world of this film. I'm sure there are elements of dark corners of my psyche that found their ways on screen; you didn't need my mug up there. There was enough of my essence in the story as it plays out without me acting in it.
I have no hoarding tendencies whatsoever. I'm a purger. I am constantly throwing things out. Like everyone, I have a scary junk drawer or corner of the closet. And those little dark corners weigh on me enough to know how hard it must be to be a hoarder. And I also think that's why these hoarding shows are so popular, because it taps into something we all feel in ourselves. We hold onto things we don't need.
I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture.
Italians don't have a unique style like France or Spain or Germany or the UK, it's different everywhere you go. The style of the girl in Milan is really architectural and modern. In Naples it's a completely different style, it's more dark. I'm sure our style was more precise in the past in the '50s or '60s where everything was very Sophia Loren. It's weird because obviously outside of Italy you think of one country, but when you're in the country you know how different the country is from the north to the center to the south to the island. There are so many differences.
When I was younger I always had a dark navy, black tie and everybody would look at me like it was odd, but now it is de rigueur. I'm sure it's my input.
Howard Marks is very intelligent and well read, eloquent, witty, charming. I think it was those qualities that got him through. I was interested to explore that because generally, we perceive criminals as dark, twisted, angry characters. Howard isn't any of those. He was punished for his crime, released from prison, and has lived to tell the tale.
I love when people will say, "Oh, my songs are my children." I understand that, but I'm also not afraid to kill my kids. I know when the time has come to throw it in the trash can. With a child you've got to go to therapy and put it in daycare and buy it birthday presents. With a song, you can shove it in a dark closet and tell it you'll be there when you're ready.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
The thing is, the more you fear death, the more you die. So it really doesn't pay off. It's a fear of the dark. Like any experience in life, you wonder, Well, if this ever happens, how would I react? and then it happens, and only then do you know.
I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.
There is that doll dress-up quality of adorable teenage girl writer, and I never felt either as adorable as I was supposed to be, or as dark as the rumors, you know, "She must have slept with the editor," and I was like, "Oh my god, I'm still a virgin." It was very strange.
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