East Hampton happens to have been the first place in the world where I was a star, a real star with a star pasted above my name on the dressing-room door.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henrys old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
At age 10 or 12 he's going to boarding school in the Isle of Wight. The Isle of Wight is, of course, down at the bottom of England just off South Hampton.
My older sister Nikki went to Hampton music school in Virginia, then to another school later in New York.
I went with Lionel Hampton for three years. Out of that came a trip to Europe.
The savage repression of blacks, which can be estimated by reading the obituary columns of the nation's dailies, Fred Hampton, etc., has not failed to register on the black inmates.
I'm not particularly fond of the Hamptons.
The Hamptons are usually filled with what I had hoped to leave behind in New York City.
And out of the blue, I got a call from an editor friend at Knopf and she said that they were interested in putting out an update for their vintage paperback line. So I was more than thrilled and it was suggested that perhaps I could do a 1,000 word new introduction covering what's happened with the whole Warhol thing since 1990 when the first edition hardcover came out and, uh, that was about August 1st and I sat down at my computer here in East Hampton and on on August 30th I'd written almost 10,000 words!
In the spring or summer, I like going to the Hamptons or Fire Island. Anywhere I can hear waves, I'm there.
I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.
Well, first of all, I grew up in New York City, going to first a public school, then a private school, and when I got to the private school in Manhattan, I learned of what we called 'The Promised Land,' which are the Hamptons. I've always had an affinity for the Hamptons.
John Kerry has promised to take this country back from the wealthy. Who better than the guy worth $700 million to take the country back? See, he knows how the wealthy think. He can spy on them at his country club, at his place in Palm Beach, at his house in the Hamptons. He's like a mole for the working man.
When I have extra time I just go out to the Hamptons. I have a house in Southampton I go out to as much as I possibly can.
Believe me, I've done my time travelling the world in cramped conditions and carrying my own luggage. Now my leisure is summers in the south of France or the Hamptons, walking in Connemara, and year-round shopping in Manhattan and Paris.
I worked for the Office of Management and Budget in the White House, on nuclear energy policy. But I decided it would be much more fun to have a specialty food store, so I left Washington D.C. and moved to the Hamptons. And how glad I am that I did!
I've lived in the Hamptons since 1978, when I first bought my store Barefoot Contessa.
Perhaps the rhinos and she-crocodiles whose gyrations between Mortimer's and East Hampton gives us our vision of social eminence today are content to entrust their faces to Andy Warhol's mingily cosmetic Polaroidising, but one would bet they would rather go to Sargent.
The coolest gift I've ever gotten from a fan was from the Franklin Mint. It was a knife, and it had a picture of General Wade Hampton, who my oldest son is named after. It's a collector's item and came with a case and a stand and everything.
I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
Each year over 2,500 commercial vessels enter the Port of Hampton Roads alone, so adequate funding for port security is a significant issue for those of us who live in Richmond and Hampton Roads.
I'm a romanticist in many ways. I never get behind the wheel of my boat and dropping the anchor without saying to myself, secretly giving my orders to the crew "All right, lift the anchor, we're on our way to South Hampton. We're gonna beat them there with this load of tea!"
During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler.
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