If you have some idea you believe in, don't listen to the croaking chorus. Listen only to what your own inner voice tells you.
The only damn thing I ever learned in all my years in art school was a piece is never done, it is just finished. You have to trust your inner voice, your instincts, when they tell you pencils down. And you roll up your sleeves and you start over again.
I'm a classic example of what can happen if you follow your inner voice. I was cursed with interests and some talent in many different areas. It confuses people.
It's not harder to hear the inner voice when you're in a relationship, but it's more of a challenge to follow it.
I listened to that voice inside me-... Everyone has an inner voice; you just have to listen to it and trust it in order to be led by it. I did that, and it gave me the ability to live a life that's true to who I am and what I really wanted.
Knowing is the same thing as the inner voice.
The satyagrahi general has to obey his inner voice, for over and above the situation outside he examines himself constantly and listens to the dictates of the inner self.
I'm measuring my actions against that inner voice that for me at least is audible, is active, it tells me where I think I'm on track and where I think I'm off track.
Pay attention to the inner voice that tells you when something feels right. Much of your creative problem-solving occurs at an unconscious level.
The word mantra comes from two Sanskrit words man, ("to think") and tra ("tool'). So the literal translation is "a tool of thought." And that's how mantras are used in Buddhist and Hindu practices, as tools that clear your mind of distractions. Because when you focus on repeating that mantra over and over again, soon the noise will die down and all you will hear is your inner voice.
Non-judgment quiets the internal dialogue, and this opens once again the doorway to creativity.
In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story.
The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study governs his combinations of them.
In the first day of my youth I tried to find it in the creatures, as I saw others do: but the more I sought, the less I found it, and the nearer I went to it, the further off it was. For of every image that appeared to me, before I had fully tested it, or abandoned myself to peace in it, and inner voice said to me: 'This is not what thou seekest.
The things, good Lord, that we pray for, give us the grace to labour for', as Sir Thomas More expressed it. The inner voice of prayer expresses itself naturally in action, just as the inner voice of my brain guides all my bodily actions.
Seek out that particular mental attribute which makes you feel most deeply and vitally alive.
My message is believe in yourself. Have courage in your capacity. Listen to your inner voice. And then the critical component of all this is, do the work.
Many feel they are called to the priesthood, but what they really hear is an inner voice saying, 'It's indoor work with no heavy lifting, do you want to be a ploughman like your father?'
My biggest downfall is my inner voice. Growing up as a dancer makes you very judgemental with yourself. You learn to look at yourself in the mirror and you criticise every line in your body. It's never perfect. I grew up with this because I had ballet every day in school.
It always comes back to the fact that it is best to listen to that inner voice, whether you're in a relationship or not.
If you enjoy learning, if you enjoy the curiosity of music and what can be done with it, and stop looking at it as something you have to do because someone says this is what you have to do to be a professional, you know, learn it because you're curious about it and then I think you'll have a much better creative sense and enable this inner voice to come out. These things are not taught and are not encouraged.
We all have that inner voice that is wise, even if we don't always follow it. It's that voice I'm trying to listen to.
You wake up and you feel - what? Heaviness, an ache inside, a weight, yes. A soft crumpling of the flesh. A feeling like all the surfaces inside you have been rubbed raw. A voice in your head - no, not voices, not like hearing voices, nothing that crazy, just your own inner voice, the one that says 'Turn left at the corner' or 'Don't forget to stop at the post office,' only now it's saying, 'I hate myself.' It's saying, 'I want to die.'
When I leaned a little too close to the doorway, my inner voice piped up, telling me not to be stupid. The guy with the bionic senses was better equipped for this.
The Singing of Swans is a remarkable narrative calling--even compelling--us to connect with our own ancestral roots, to seek our own inner wisdom, and to reclaim our own inner voices!
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