After moving to New York, I started to love vintage shopping.
The first theatre I ever found was in the backyard of a new suburban community in the foothills of the Poconos. My dad was a young FBI agent at his first or second posting - we're all from New York. He was posted in Scranton, Pennsylvania and he put the family in a brand new red-brick apartment. It was in a C-shape and behind it was a small hill that led up to the woods. There was a white-washed brick wall that was a perfect theatre! There were windows and all the ladies behind the windows in their apartments. I would go out there after lunch every day and sing opera.
When I moved to New York, the reputation just followed me, and I am regularly invited to play in home games, by writers in particular, though finance folk also invite me on occasion.
I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.
I've been in New York for going on five years now, and I always thought I would make a mark and do something but I never thought it would be this big of a deal. I'm so blessed and I'm truly honored.
I've grown up watching and admiring Norm. Sherie actually starred in the first off-Broadway show I ever saw in New York, which was The Last Five Years. It's amazing how things come full-circle and how the community (once you hang around it long enough) grows smaller and smaller as it grows. Sharing the stage with these people is more than a dream come true it's so special. They're so warm and giving and offer the best advice. Sherie is very nice and maternal and nurturing.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
I guess home is where the heart is, as they say. I've moved around the stage a lot - but I had intended on moving to New York anyway so I could live closer to Ireland and to Europe. That's where my sensibility is. This has just facilitated that process.
New York feels like a sublet of Europe. And Europe is a sublet of New York. Put it that way. It's so accessible. When I was in LA, I felt so far away from my home. Home, for the moment, is here until it's not. I like to move around with my work. I feel it's a great way to learn about life, about new cultures, and to learn. We'll see where the wind takes me.
Honestly, I'd love to think I was in a position where I had that decision. But last year I worked on a movie in Bulgaria, now I'm in New York or LA. It really sounds jet-setting when you say it, but there's lots of down-time where you wonder what you're doing or you wonder about life.
For me, it's about having a full life wherever I come to set my hat for a while; so I like to be in a place that offers me a base that's rich and full of people. New York certainly has that at the moment.
It took a child. It took a child with a blood transfusion not only to wake me up, but to wake America up, basically. I mean, I read about his plight in a doctor's office in New York in a magazine. I was so outraged about it that I contacted the family. We became friends. I helped them move to another place in Indiana. And we became constant friends.
I was living in New York at the time of the 9/11 attacks. And I remember, you know, in those weeks that followed, when none of us spoke about anything else really, a number of friends of mine, people I knew, including very experienced journalists, I heard them saying things like, well, now we understand what happened to you.
When I first moved to New York I had been trying to work on anything and everything I could. From extra work and commercials to short and student films so I could learn in front of a camera.
New York is all about people and the things people make.
People are taking a closer look at Donald Trump. I think the best look they got was at the last debate. I think Ted Cruz and Marco Rubio prosecuted their case effectively. Donald doesn't have some great answers. When they talk, for instance, about immigration and releasing those tapes from The New York Times, we began talking about flexibility and immigration.
Flexibility. Oh, that's pretty clearly saying that what Donald Trump said to The New York Times is very different than what he's saying to the American people. He is not the real deal. He is a phony.
I mean if it wasn't for Earl Scruggs, guys like me wouldn't be doing what we're doing. I mean, he's changed so many people's lives, honestly. I was thinking about all the thousands of people that live in Nashville, like myself, that there's no reason a guy from New York would end up down there if it wasn't for the sound of Earl Scruggs' banjo coming over the airwaves and just changing my life.
Being in New York, a lot of people I knew were top-notch copy editors or photo retouchers, so I had a good community around me that knew how to do the specialized stuff.
Nothing lasts in New York. Everything's always changing in really obvious ways.
we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.
There's nothing compared to the history of writing about the city of New York that you get, say, in Charles Reznikoff.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
I definitely care about how the concept of New York punk was constructed, and why it mattered. But I wasn't gonna do that. Partly because I'm not a great journalist...
I lived in a suitcase for a year, and then a relationship brought me to New York for about four months, then I lived in Melbourne. Then I moved back to Gothenburg because the immigrant laws are strict for both Australia and the U.S., and I would have to marry someone to get into those countries. But I wouldn't really be able to get involved in a sham marriage without being able to tell anyone about it.
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