My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
The camera is an instrument that teaches people how to see without a camera.
One should really use the camera as though tomorrow you'd be stricken blind.
Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
It's a weird scene. You win a few baseball games and all of a sudden you're surrounded by reporters and TV men with cameras asking you about Vietnam and race relations.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
The single most important component of a camera is the twelve inches behind it!
A lot of photographers think that if they buy a better camera they'll be able to take better photographs. A better camera won't do a thing for you if you don't have anything in your head or in your heart.
The camera relieves us of the burden of memory.
There are no rules for good photographs, there are only good photographs.
The problem for me is that I've never actually studied photography, so it's quite a steep learning curve. Cameras these days do so much for you automatically but I still think there's a point where you should actually know the technical side.
Police in Washington D.C. are now using cameras to catch drivers who go through red lights. Many congressmen this week opposed the use of the red light cameras incorrectly assuming they were being used for surveillance at local brothels.
I'm never at my best on television. There's a row of cameras between you and the audience, and it's very weird, very confusing.
I was born in front of a camera and really don't know anything else
The camera's only job is to get out of the way of making photographs.
Off camera, I am not so quiet, I have a fun time, relaxed.
I can understand why those primitive desert people think a camera steals their soul. It is unnatural to see yourself from the outside.
I spent a lot of years just learning my craft and falling down in front of the camera.
Many times I've sat with a camera and another actor and seen all their fears and insecurities and struggles. You want to support them and help them as much as you can.
People ask me to smile for the camera, but somehow it always comes out gloomy.
With the fight scenes, they would take a video camera and shoot alongside the camera so we would piece it together on the computer and had an extremely rough cut of what we were doing.
And, you run also video because to fly this arm, you're relying mostly on some external camera views that may be coming from the arm itself or from the station.
You don't take a photograph, you make it.
When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
I loved being asked 2,000 questions a day, storyboarding every move, knowing as though by instinct exactly where the camera had to be, because it was my story.
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