All photographs are accurate. None of them is the truth.
When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
You don't take a photograph, you make it.
Sometimes I do get to places just when God's ready to have somebody click the shutter.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
I have an underwater camera just in case I crash my car into a river, and at the last minute I see a photo opportunity of a fish that I have never seen.
I play myself all the time, on camera and off. What else can I do?
You play a part, and as soon as a movie is over and the camera stops, you go home and you're not really responsible for what you've done.
It is the photographer, not the camera, that is the instrument.
I hate cameras. I hate cameras and I hate camera phones. The camera's my worst enemy and my best friend. It's the way I convey my emotions to the world without saying a word, so I use it. People always say, 'You come alive as soon as the camera's on!'
A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.
The camera can photograph thought. It's better than a paragraph of sweet polemic.
When you grow up on camera and in the public eye, you feel you have to put forth this image. I just took that to the extreme and there was a lot of pressure on me
Painting directly from nature is difficult as things do not remain the same; the camera helps to retain the picture in your mind.
I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
Life came in and put me in front of the camera before I could really make a decision, but I think I probably would have gravitated to film.
If this validates anything, it's that learning how to bunt and hit and run and turning two is more important than knowing where to find the little red light at the dug out camera.
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
I loved the stage and then grew to love the camera.
Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light
There's something inimical about the camera and song.
I'm not in front of the camera, they are. I encourage them; I build up as much of their confidence and ego as possible. They've got to take control; I can't act it out.
That was the beginning of modern acting for me. You don't have to tell a camera everything. It gets bored if you do and wants to look elsewhere.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.
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