My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.
The camera cannot lie, but it can be an accessory to untruth.
It's a weird scene. You win a few baseball games and all of a sudden you're surrounded by reporters and TV men with cameras asking you about Vietnam and race relations.
The thrill of being in front of a camera remains exactly the same.
I'm shooting a pilot based on my show. It's a one-camera show. I play myself.
I'm definitely a Polaroid camera girl. For me, what I'm really excited about is bringing back the artistry and the nature of Polaroid.
I'm very in love with the fact that the camera is revolted by acting and loves behaviour.
I like the smell of film. I just like knowing there's film going through the camera.
If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.
The world just does not fit conveniently into the format of a 35mm camera.
One thing I hate in movies is when the camera starts circling around the characters. I find that totally fake.
My own eyes are no more than scouts on a preliminary search, or the camera's eye may entirely change my idea.
For an actress there is no greater gift than having a camera in front of you, listening to the most beautiful music in the world and just being looked at!
I think one day I want to be on the other side of the camera-maybe directing
Working in front of the camera keeps me alive
Audrey Hepburn's face was made for the camera.
I'm always aware of the camera and it feels like that's the audience.
I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
It's an incredible privilege for an actor to look into the camera. It's like looking right into the heart of the film, and you can't take that lightly.
Comic timing... is how to have a relationship with the camera and deal with the camera without looking like you are.
If I didn't have my camera to remind me constantly, I am here to do this, I would eventually have slipped away, I think. I would have forgotten my reason to exist.
They say the camera never lies. It lies every day.
When I have sex with someone I forget who I am. For a minute I even forget I'm human. It's the same thing when I'm behind a camera. I forget I exist.
A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
Motion-picture studio floors used to be all wooden and not smooth at all. This was difficult when moving a camera around on a dolly.
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