Photography takes an instant out of time, altering life by holding it still.
The camera is an instrument that teaches people how to see without a camera.
To me, beauty appears when one feels deeply, and art is an act of total attention,
You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
The good photograph is not the object, the consequences of the photograph are the objects.
The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else's requirement but your own.
I many times encountered courage, real courage. Undeniable courage. I've heard it said that that was the highest quality of the human animal. I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
Seeing is more than a physiological phenomenon... We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
To know ahead of time what you're looking for means you're then only photographing your own preconceptions, which is very limiting, and often false.
No country has ever closely scrutinized itself visually ... I know what we could make of it if people only thought we could dare look at ourselves.
Life, for people, begins to crumble on the edges; they don't realize it.
One should really use the camera as though tomorrow you'd be stricken blind.
Artists are controlled by the life that beats in them, like the ocean beats on the shore.
I trust my instincts. I don't distrust them. They haven't led me astray. It's when I've made up my mind to be efficient that is when I have gone wrong.
The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
We know by now how to photograph poor people. What we don't know is how to photograph affluence - whose other face is poverty.
I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
This benefit of seeing...can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image...the viewer must be willing to pause, to look again, to meditate.
Pick a theme and work it to exhaustion... the subject must be something you truly love or truly hate.
I believe that what we call beautiful is generally a by-product.
A documentary photograph is not a factual photograph.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
Bring the viewer to your side, include him in your thought. He is not a bystander. You have the power to increase his perceptions and conceptions.
One should really use the camera as though tomorrow you'd be stricken blind. To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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