I still read quite a few printed books, but if something is available in digital format I do not print it before I read it.
Christmas begins what Easter celebrates. The child in the cradle became the king on the cross. And because he did, there are no marks on my record. Just grace. His offer has no fine print. He didn't tell me, "Clean up before you come in." He offered, "Come in, and I'll clean you up." It's not my grip on him that matters but his grip on me. And his grip is sure. So is his presence in my life.
Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. I search for subject matter with visual patterns, interesting abstractions and graphic compositions.
I don't think CNN is 'fake news.' I think there are some reports everywhere, in print, on TV, on radio, in conversation, that are not well-researched and are sometimes based on falsehoods.
I'm a constant editor. Every few months or so I make a ton of 4x6 prints. I put them on a magnetic board and I live with them for a while to see what bubbles to the surface. A lot of this was part of Disco Night originally, and I suddenly started realizing, "If I keep working on this because I'm not done and I put all that in Disco Night, how can this be one book? Is it going to be too long and bloated and crazy?".
We have brands spending ungodly amounts of money on print, television, outdoor radio, programmatic banner ads, website takeovers. Garbage. When I say garbage, they work-ish. They're just so overpriced. I don't know what else to say. I do not believe that it is worth the hundreds of thousands of dollars in distribution and hundreds of thousands of dollars in cost to make one 30-second video to tell a 29-year-old woman that your soap is great, in a world where she is not going to consume that commercial.
There's a measure of prescriptivism and descriptivism in every dictionary. Prescriptivism believes that the language should mirror the best practices of English, and editors are prescriptivist in so far as they don't want to let things they consider to be inelegant or ungrammatical into print.
I think the irony of modern life is that our data, our highly personal information, has been taken from us, but in many cases it was given away freely by us. We willfully, consciously or unconsciously, acquiesced and gave it away for a new app, you know? For the products that we have. We didn't read the fine print, or don't even really care and didn't really check to see if we could opt out. No one had to steal it from us.
People aren't really looking at the result when taking a picture on an iPhone. And they don't print it. So to me, it's almost not a photograph. It's like looking in the mirror. It's a tool I don't relate to at all.
I'm four and a half years older than my sister - it's an interesting age difference. Growing up it feels like a big rift. Then you get older and you realize it's not. But for a while there, we really didn't have much to do with each other - mostly because I should have been a better older brother. I'm making up for lost time. I want that in print so she can read it.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
Print and web have profoundly different effects: The effect is immediate when people can click on links.
Time is a function of impact. The longer a book of mine has been in print, the greater its impact seems to be as people absorb and digest my ideas. I am especially proud of The Change Master: Innovation and Entrepreneurship in the American Corporation, first published in 1983, because it raised questions and addressed issues at a time when so many great changes were occurring in our society, indeed throughout the world.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
I always thought that digital first was a simplistic notion, and I am not even sure quite what it means. It should be stories first. Let's take the Paris story: the New York Times covered it all day, we held nothing back. Everything we learned, we published online. Then, when you approach your print deadline, you have to do two things. You have to polish those stories that are online because print is less forgiving of mistakes. Secondly, in an ideal world, you pick one thing that will feel fresh and compelling to people in the morning when they pick up the print paper.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
My success was the shock of recognition, probably, rather than the quality of the work. I mean, the quality may have been fine, but there's a lot of fine work out there. It was the fact that I was doing something that at that time, nobody else was doing, except for say, Mort Saul out in San Francisco on The Hungry Eye, and "Second City" was emerging out in Chicago. Nothing in print. It was basically happening in cabaret and nothing in fiction. And certainly nothing in New York in cartoons.
Sitting with a deck of cards in your hand all day is an obsession. Visiting print shops and bookstores and libraries is an obsession. And writing about this is an obsession. I think, in general, most collectors are obsessed. I think the only form of a rationalized greed is when you're collecting something you are supposedly serious about.
Often you read something about yourself, and either you've been ironic, and that doesn't work in print, or it paraphrases something that you said, and has a different meaning.
When CNN launched in the early 1980s, everybody said: A 24-hour news network won't work. They launched, they did ok, CNN went almost bankrupt because of the risks they had taken, they got bailed out, and 25 years later CNN is a huge global brand. I think the same is going to happen in digital. If you look at the younger generation, there is a huge consumption of digital media and almost no consumption of print or traditional television. Eventually money will follow that. It is just a question of which companies win, how long it takes to get there and what kind of model you need to apply.
The Financial Times is a wonderful publication, as is the Wall Street Journal and many others. But the new generation is consuming media fundamentally differently. At Business Insider, we have the chance to embrace that whole-heartedly. We do not have a print legacy, digital is not our second business behind a newspaper. It is our only one.
I have to do this all the time - choosing what to print based on how it might come back to harm people from whom I've earned trust.
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