People are different in different situations and people are different online than they are in real life.
I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life.
We overload in our workouts so that the game slows down in real life. It helps you become a smarter basketball player.
Acting. Whenever I am playing a character, I use my real life experiences, which puts me on the line of reliving some of those good and bad times. Acting requires risk, and that's what feeling vulnerable is.
If we ever meet in real life, we can have a conversation. But you should go and live your real life and I'll go and live mine.
I like [that] there's a certain inherent drama to those jobs that is exciting to tell stories about and it's still real life. I'm a little less interested in the current fad of being obsessed with superheroes and things that are so out of the box.
Who need to read about real life when there's dragons. Come on!
The sneak-peeks you get off the top are of them in their real life. You're more invested, you know both of them, and you've already made assumptions. A murder who would murders someone - that makes them immediately bad - but here you see them in a different.
The two explorers are given fictional names. But as in real life, they travel to the Amazon roughly a generation apart, in the early-to-mid 20th century. In the film, they're both guided by Karamakate, as a young man early in the story and later as an old shaman. He and the outsiders share a desire for knowledge - self knowledge and an understanding of the world around them, says the film's co-screenwriter, Jacques Toulemonde.
And what they believe in real life is complicated. Theodor Koch-Grunberg wrote in his diary that indigenous peoples in the Amazon see these outsiders following in each other's footsteps as the same person, a single soul traversing across several lives. They also see time as something that doesn't proceed inexorably into the future.
We actually needed the memory - if you see the film - as a very different kind of a plot device of revealing some information to our main character. So we chose to represent it as these sort of beautiful little snow globes, which kind of, weirdly, that's the way we think of memories - at least, most of the folks that we talked to. You think of these memories as being very pure and absolute and unchanging. That's not actually real life.
When you go on tour and see everyone, you're like, "Oh my god. This is actually real life." That inspires me to write more songs.
It is a surreal life living on a television series set, and especially when I go out in public. I have people who recognize me and will come up to me, saying how much they enjoy seeing me, asking for a picture, and I still think to myself, "Uh, why?"
I stay with my family. I try to be a good husband and good dad. That's my real life.
I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into.
Hollywood has nothing to do with real life.
I knew it was a risk but what I was after was a novel that is about the feeling that comes with a coincidence in real life - that you feel as if something divine has intervened and has arrived with a message.
When I went home, my family became a little lonely family because it was just me and my mom. Part of my longing to go back to work was wanting to be surrounded by these people who were teaching me things and drinking bad coffee at three in the morning while we were lying around in a bikini in the winter. Somehow it just felt like real life. It felt more like real life than my life.
I have never played a superhero in real life and I would imagine it is very different Voiceover is super easy. You just come in and do a bunch of versions of it and then the animators and directors on that side of the movie put your performance together.
In real life, people in the most dire situations must cope through humor.
It's a piece that is so interactive, and relies so much on these five men in the room, that I think will appeal to the life experiences every person has, in some small way. Every aspect of the play will in some way touch somebody or they'll know someone that has a likeness... very representative of real life.
I'm a very boring person in my real life so I got to act out misbehaving fantasies was really fun.
The stage is the place I feel comfortable - it's almost as if real life is where I feel most nervous. Conversations are a lot more nerve-wracking.
Every game we play activates our brain, and it's the same brain we have in real life as we have in the game.
I think that'll always be there for [Clint] Barton, right? You have real life, and then you have fight life. And that's the character that I love now - discovering that in him makes him a very sort of accessible Avenger. That'll always be there, I'm sure. And it certainly plays in this one.
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