But there's more than just solving the how-to problems. I've often said that if we're going to have a real rural renaissance, I'd just take the solving of the how-to problems for granted. The first thing I'd provide would be festivals.
To implement a true urban renaissance, you first need a Grand Design elaborated by strong leadership .
I am particularly conscious of my connection to the poets of the Harlem Renaissance because I, too, am a Black poet, born into, and shaped by, the very community in which those poets of the past produced so much of the work we associate with the Harlem Renaissance. We speak from the same place, both literally and metaphorically.
The Nineties was such an incredible period. There was this real sense of community and such a uniqueness to it. There were unique personalities, unique bands, unique lyrical takes. A lot of artistic expression. It was this real renaissance that was exciting to be a part of. It's hard to not look back on that period and say, "Yeah, it was crazy. But it was crazy good."
These three qualities I recommend to you; tenacity, goodness, and intelligence. They are as valuable today as they were in the time of the ancient Greeks, Romans and during the renaissance. They will help make you good professionals.
It seems to me that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age find its own technique.
Renaissance man, woman, either way it's a worthy pursuit! Like the painters of Emilia's day, I was raised in an environment that encouraged creative expression. Both my parents were artists, who didn't think much of TV and refused to upgrade our old black and white set. To entertain myself, I made art and wrote puppet shows.
We're lucky to be in the middle of a TV renaissance. It's the healthiest storytelling medium in our culture.
When I think of the Harlem Renaissance, I think of bright colors, and bold, dynamic art. African American artists of the period were, in large measure, breaking out of the constrictions white society had set for them. They were claiming and remaking their own images, and doing so in bold and striking ways.
When you get a new worldview you get a new world. It's like the shift from medieval Christianity to the Renaissance and enlightenment.
While nothing is certain, I firmly believe our nation is on the verge of a nuclear energy renaissance.
We are in the middle of a tough, ideological conflict that is being waged across the entire continent. On the one side are those who say that global challenges like migration and terror cannot be met with national parochialism. On the other side are those who would like to see a renaissance of the nation-state.
A lot of people who want to see the short story have a renaissance of readership - they tend to think of short stories, and sometimes poems too, as being well-suited to the way we now live, with all of these broken-up bits of time. I hope they're right, but my sense is that our fiction reading has become, if anything, more cherished as a kind of escape from fragmentation.
This is why it might be more useful to understand the proliferation of interactive media as an opportunity for renaissance: a moment when we have the ability to step out of the story altogether. Renaissances are historical instances of widespread recontextualisation. People in a variety of different arts, philosophies and sciences have the ability to reframe their reality. Renaissance literally means 'rebirth'. It is the rebirth of old ideas in a new context.
We've been taught that the renaissance was one of the great golden ages of civilisation. The renaissance was not a golden age, it was the end of a golden age.
Exploration belongs to the Renaissance, travel to the bourgeois age, tourism to our proletarian moment.
It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.
I'm old-fashioned. I think William Blake and people in the Renaissance people were multi. Look at da Vinci, he was involved in science; and Michelangelo was dabbling in poetry. Both of them were painters and sculptors but they also involved themselves with architecture. I honestly don't know what happened in the '60s and '70s. If you sang rock and roll in America at that time or were involved in expressing yourself through music like that, then many thought you couldn't possibly be an artist. That thinking is archaic.
I do feel we live through what I like to call The 2nd Renaissance, but although I foresee a widespread return to the European religion I don't foresee a return to the past. The world has changed, everything is different today, and so will Paganism be.
Renaissance or the reawakening of Europe. And, and this reawakening actually involved an era during which the people of Europe, who were coming out of the Dark Ages, were then adopting the value system of the people in the East, in the, of the oriental society.
Everybody in mathematics had given up for 100 years or 200 years the idea that you could from pictures, from looking at pictures, find new ideas. That was the case long ago in the Middle Ages, in the Renaissance, in later periods, but then mathematicians had become very abstract.
There's a creativity, a power, an energy, an ability to do things unlike any other period in history. It's a little bit like sitting in the Renaissance, but multiplied a thousand-fold.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
The time to recognize the power of community is here again. Not as some romanticized renaissance from times past, but as a necessarily new and innovative response to "life as it is offering itself to us."
But very early in life I became part of the majority culture and now don't think of myself as a minority. Yet the university said I was one. Anybody who has met a real minority - in the economic sense, not the numerical sense - would understand how ridiculous it is to describe a young man who is already at the university, already well into his studies in Italian and English Renaissance literature, as a minority.
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