I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it.
In most cultures, you can have a kid at 18 and it's not a big thing. It's not like, 'Oh, you've got to get a different haircut and move to the suburbs and act, like, 35.'
The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
We're called New Jersey but we're actually the suburbs of New York.
What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
When I was a kid, I attended a small Catholic school in a south suburb of Chicago.
Slums may well be breeding grounds of crime, but middle class suburbs are incubators of apathy and delirium.
I was born in Paris and raised in the suburbs and then lived in the countryside.
I grew up in a suburb of Baltimore with an extremely high concentration of Jewish families - where the Levys and Cohens in the high school yearbook went on for pages, where I could count far more temples than I ever could churches. Anti-Semitism, in our cultural biodome, was mostly an abstract concept.
I was trying to break out of the suburbs, and when I did break out, I don't think I took my whole self with me - I think I played a role of being too cool and hip.
As our cities and suburbs relentlessly expand, those priceless open spaces needed for recreation areas accessible to their people are swallowed up-often forever. Unless we preserve these spaces while they are still available, we will have none to preserve.
In city, in suburb, in forest, no way to stretch out the arms - so if you would grow, go straight up or deep down.
The children themselves, before they get access to a car, are captives of their suburb, save for those families where the housewives surrender continuity in their own lives to chauffeur their children to lessons, doctors, and other services that could be reached via public transport in the city.
The large-scale homogeneity of the universe makes it very difficult to believe that the structure of the universe is determined by anything so peripheral as some complicated molecular structure on a minor planet orbiting a very average star in the outer suburbs of a fairly typical galaxy.
Each hamlet or village or town should be a place, its own place. This is not a matter of fake historicism or artsy-craftsy architecture. It is a matter of respect for things existing, subtle patterns of place woven from vistas and street widths and the siting and color and scale of stores, houses, and trees... If the countryside is to prosper, it must be different from city or suburb... The difference is in part the simple business of containing our towns and giving them boundaries.
Suburb: a place that isn't city, isn't country, and isn't tolerable.
The women's movement hit my neighborhood like a freight train. Everybody got divorced. You wonder what would have happened to women if the suburbs hadn't been built.
Will Grayson, Will Grayson' is about two guys named Will Grayson who live in different Chicago suburbs who eventually meet each other.
In the small town each citizen had done something in his own way to build the community. The town booster had a vision of the future which he tried to fulfill. The suburb dweller by contrast started with the future
Bohemia and all its works are vanished out of America; or, more exactly, bohemia has migrated to the middle class, and is alive and well in condo and suburb.
Topography is one of my chief themes in my poetry, about the country, the suburbs and the seaside. Then there comes love... and increasingly; the fear of death.
The modern suburb is the product of the car, the five-day week, and the "bankers' hours" of the masses.
It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
I grew up in the suburbs of Sydney, an arid kind of place, but every day I took the ferry across the harbour to get to school. I'd watch the ships coming in and going out.
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