I've walked with very famous people down red carpets over to the crowd of thousands of people, and you'll reach out to shake their hand and they've got a camera in their hand. And they don't even get their hand out, because they're recording the whole time.
Bruce Lee was very famous. I watched his movies and he is amazing. He is a martial arts master, his philosophy, his movement, both physically and mentally, were very strong.
Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine.
If you feel that . . . what you do this year or in the years to come does not make you very famous, take heart. Most of the best people who ever lived weren't very famous either.
She became a very famous, very popular young girl. Before that, she was my daughter, but now I'm her father.
The very wealthy and the very famous have a much closer affinity with the indigent street person than with the rest of us. There's the narcissism, the addiction, even the outlandish dress. Often they don't put great value in relationships.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
Finally and most important of all, authenticity means that you must do what you do the way you do it and allow everyone else the same courtesy. There was a time I wanted to be like every famous writer that ever lived. I tried to copy styles, reframe information, use similar artwork. I almost drove myself crazy! Now I just do what I do. I have mentors. There are people whose work I admire, but I write the way I write. I eat the way I eat. I dress the way I dress. I can't believe that God made us each so unique only to have us do everything the same way.
I watched the way Hillary Clinton talk now about how lovely everything is and how wonderful she is. It doesn't work that way. She was after him, she was trying to - she even sent out or her campaign sent out pictures of him in a certain garb, very famous pictures. I don't think she can deny that.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
Paris, though it's a very famous city, it's very small, so people always tell themselves, "We're gonna love each other in Paris."
My dad took me to a high school basketball game and this very, very famous coach in Michigan, by the name of Lofton Greene - he was a guy that my dad was familiar with. He was from our hometown. And I watched the game and I said I didn't see this guy doing a lot of coaching. And my dad told me, well, it's just like a teacher - which he was - he said if you do a good job teaching during the week, when they take the test on Friday, that's not the time you have to do a lot of demonstrative things.
The real secrets start leaking out when there are too many secrets because people can't remember what's a real secret. There's a very famous line by National Security Advisor McGeorge Bundy: "If you guard your toothbrushes and your diamonds with equal zeal, you'll lose fewer toothbrushes and more diamonds." And that's where we are right now.
Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.
Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die.
So I've decided to be a very rich and famous person who doesn't really care about money, and who is very humble but who still makes a lot of money and is very famous, but is very humble and rich and famous.
It's important for me to take very famous, well-known people and not have them play themselves and not have them be seen as themselves.
For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.
I don't think of myself as a very famous person, but the modicum of celebrity that I've had has not been a positive experience for me at all.
Abbey Lee was a very famous model and had great success. She was very open about the negative aspects of that industry.
When they called me with the Nobel call from Secretary General of the Swedish Academy it was twenty minutes to six and he said well that was well hope I'm not disturbing you but I am the Secretary General of the Swedish Academy. Of course you can imagine I was frozen in time when he said that but then he made a very famous statement, something to the effect that this is the last 20 minutes of peace of your life.
This needs to work on that level, but it has the additional strain of it's going to be profoundly scrutinized by political junkies from the right and the left who will pick apart every little thing. We are inherently dramatizing Hillary Rodham, or Hillary Clinton, who's a very famous figure. There's a lot of biographies about her, but there's also elements that are private moments, that are dramatized with an arc, and we have to take creative license. Everything is sort of a cost-benefit.
If you can make your name and your works very famous and at the same time can succeed in making yourself much unknown, you are definitely the most intelligent celebrity!
I mean, you know, while I'm acting on stage I'm ranking quite high, but in a room with Barack Obama I'm probably into negative digits. I never feel very famous.
I became very famous, as a teenager, and my name and photo were splashed in all the media. They made me larger than life, so I wanted to live larger than life, and the only way to do that was to be intoxicated.
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