Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
People still think of me as a cartoonist, but the only thing I lift a pen or pencil for these days is to sign a contract, a check, or an autograph.
I started doing cartoons when I was about 21. I never thought I would be a cartoonist. It happened behind my back. I was always a painter and drawer.
I was unable to sleep and I would stay up and draw these little cartoons. Then a friend showed them around. Before I knew it I was a cartoonist.
There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
Most success springs from an obstacle or failure.
The way to get started is to quit talking and begin doing.
We keep moving forward, opening new doors, and doing new things, because we're curious and curiosity keeps leading us down new paths.
I have not forgotten that you can see the world through pieces of coloured glass.
Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.
When you're curious, you find lots of interesting things to do.
I don't think there's any independent cartoonist whose stuff I don't like or respect in at least some way or another. We're all marginal laborers - we're practically medical oddities - so I don't see why we can't all be nice to each other.
Most success springs from an obstacle or failure. I became a cartoonist largely because I failed in my goal of becoming a successful executive.
Searching for new ideas is an endless process.
Curiosity keeps leading us down new paths.
There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.