It may be that the deep necessity of art is the examination of individual's and society's self-deception.
One of the most striking aspects of abstract art's appearance is her nakedness, an art stripped bare.
I have been continuously aware that in painting, I am always dealing with... a relational structure. Which in turn makes permission 'to be abstract' no problem at all.
For twenty years I read a book a day, from the time I was seven until I was twenty-seven.
Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.
I dislike a picture that is too suave or too skilfully done. But, contrariwise, I also dislike a picture that looks too inept or blundering.
In a way, painting is like wine: it is as old, as simple, as primitive and as varied. Like wine, it is a very specific means of expression, with a limited vocabulary, but vast in its expressive potential.
Abstract expressionism was the first American art that was filled with anger as well as beauty.
For me, the sketchbooks are more like a secret and wholly spontaneous jeu d'esprit and some of them I like as much as anything I have ever done. They are invariably without premeditation. I mean not only that I have no plan when I make them, I also have no plan to make them.
I never had the... common anxiety as to whether abstract painting had a given 'meaning.
The abstractness of modern art has to do with how much an enlightened mind rejects of the contemporary social order.
Nothing as drastic an innovation as abstract art could have come in to existence, save as the consequence of a most profound, relentless, unquenchable need. The need is for felt experience - intense, immediate, direct, subtle, unified, warm, vivid, rhythmic.
It is the medium, or the specific configuration of the medium, that we call a work of art that brings feeling into being.
It is true that every artist has his own religion.
For a painter as abstract as myself, the collages offer a way of incorporating bits of the everyday world into pictures.
To end up with a canvas that is no less beautiful than the empty canvas is to begin with.
Sometimes images may emerge from some chord in my subconscious, the way a dream might. Even in those paintings where an image unconsciously develops, a certain kind of experience is usually necessary in order to perceive it.
In printmaking, I essentially use the same process as in painting with one important exception ... to try, with sensitivity to the medium to emphasize what printing can do best ... better than say, painting or collaging or watercolour or drawing or whatever ... Otherwise, the artist expresses the same vision in graphics that he does in his other work.
An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.
Every picture one paints involves not painting others.
Any incentive to paint is as good as any other. There is no poor subject.
To pick up a cigarette wrapper or wine label or an old letter or the end of a carton is my way of dealing with those things that do not originate in me, in my I.
The public's appetite for famous people is a mouth as big as a mountain.
In the brush doing what it is doing, it will stumble on what one could not do by oneself.
A main part of the struggle of art has been to make an art that is direct, simple, humane, unconnected with powers that be in their essence... To the degree that it is connected with the bourgeoisie via the marketplace and so on is not necessarily an artist's problem.
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